Many know her as the front woman of Blackmore's Night where for the past 18 years she has been performing the songs she has co-written with her husband, legendary guitarist Ritchie Blackmore. With her 2nd solo offering, 'Starlight, Starbright', Night's vocal quality is richer than in years past, bringing you to a quiet and intimate place; a place of beauty and dreams, inspired by the birth of her children, Autumn (5) and Rory (3). 'I really felt just so completely full of love and part of this bigger picture, this miracle,' Night remembers. 'I wanted to sing to celebrate this incredible life that was occurring inside of me. I've never felt so spiritual.' On 'Starlight, Starbright' you will find new original melodies, some co-written and played with Ritchie Blackmore, some solo by Night.
Hidden Details is a new studio album of Soft Machine, recorded at the late great Jon Hiseman's Temple Studio in Surrey, England, last December 2017, and it will be released in September 2018 on MoonJune Records (North America; on CD and HD Download), on John Etheridge's Dyan Records (UK/Europe on CD, and iTunes), and on Vivid Records (Japan), exactly 50 years since the release of the band's 1968 debut album The Soft Machine. Limited and highly collectible vinyl edition of only 200 coloured vinyl (orange, blue and tour edition orange & blue marbled) will be released on the Dutch label Tonefloat, on September 8, 2018.
The studio album 'Hidden Details' is the first Soft Machine album (as opposed to Soft Machine Legacy) in 37 years. This is three quarters of the celebrated 1970's version of the legendary jazz-rock group, which recorded the acclaimed 'Softs' album in 1975 - John Etheridge, Roy Babbington and John Marshall - completed by outstanding saxophone star Theo Travis (Robert Fripp/David Gilmour/Gong).
This time we present you a new Dub Techno release by Alexander Saykov called Sky Whale. It features two remixers by two amazing producers known as Echo Delta and Brickman.
Alexander Saykov: "In my home town of Kaluga there is much space between the buildings, which obstruct neither earth nor sky. Visitors often tell hearted tales of the colour of clouds and of the curious constellations here. At one point you realize that all words of beauty have already been said, yet the need to express a universe of feelings still remains…
Four albums in 15 years is not exactly prolific when it comes to making records. But Annie Lennox has never been one to rush things, and her recorded output as a solo artist in life after the Eurythmics has been stellar. The last time she issued a recording in 2003 with Bare, a collection of deeply committed emotional songs that set a new standard for her artistically, though they were written in the turmoil following her second divorce. Perhaps the reason she hasn't had the time to record is her activism. She's involved herself in causes that range from her primary concern, raising awareness about AIDS/HIV (and she refers to this in the album's notes), to the environment and poverty. But Songs of Mass Destruction isn't a political album by any means, unless the personal is – and often it is. This is another album of love songs; dark love songs. These are breakup ballads, statuesque embers of pain and rage that have simmered down to the traces of that dull ache of emptiness that always exists in the aftermath of something profound.
ELO Part II were an offshoot band formed by Electric Light Orchestra drummer Bev Bevan. The band also included former ELO bassist Kelly Groucutt, conductor Louis Clark and violinist Mik Kaminski for most of its career. After Bevan left the band in 2000 he sold back the rights of the Electric Light Orchestra name to Jeff Lynne and the band continued on as The Orchestra. This album contains a lot of ELO's greatest hits performed live.
Having documented the British psychedelic scene with anthologies devoted to the years 1967, 1968 and 1969, Grapefruit's ongoing series fearlessly confronts the dawn of the Seventies with a slight rebrand. New Moon's In The Sky: The British Progressive Pop Sounds Of 1970 features (appropriately enough) seventy tracks from the first year of the new decade as the British pop scene adjusted to life without The Beatles. The 3-CD set concentrates on the more song-based recordings to emanate from British studios during 1970, whether from a pure-pop-for-then-people perspective or the more concise, melodic end of the burgeoning progressive rock spectrum.