Nina Simone Rca

Recorded in 1985 after a break from recording and time spent living in Barbados and Liberia, Nina’s Back features a rejuvenated Nina Simone reaching out to a wider musical audience. Featuring a number of memorable Simone compositions, the band includes horns and backup singers for a unique recording in Nina’s catalog.

Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.

Nina Revisited… A Tribute to Nina Simone, which arrives at a time of renewed interested in the pianist and singer's life and art, was co-executive produced by Ms. Lauryn Hill and features interpretations by Hill along with Usher, Mary J. Blige, Common, and others.

Nina Simone - Four Women: The Nina Simone Philips Recordings (1964-1966) {2003 Verve Deluxe 4-CD Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.46 Gb | MP3 @320 -> 602 Mb
Full Artwork @ 300 dpi (png) -> 218 Mb | 5% repair rar
© 1964-66, 2003 Philips / Verve / Universal | 440 065 021-2
Jazz / Vocal Jazz / Torch Songs / Soul / Blues / American Popular Song / Standards

Nina Simone recorded seven albums for the Philips label between 1964 and 1966. It was the period in her career in which her reputation was cemented as a world-class artist, and one in which she gained fame for her contributions to the civil rights movement as well. Despite the fact that she recorded great albums both before and after her years with Philips (most notably with RCA), her Philips period is easily her most enigmatic. Among her Philips recordings are her live label debut and six studio recordings featuring wildly varying instrumentation, arrangements, and contents. The box contains all seven LPs on four CDs, and includes one bonus track.

Nina Simone was only 25 years old in 1958 when she entered Beltone Studios in midtown Manhattan for a one-day recording session for her debut album, Little Girl Blue,on Bethlehem Records. The 14 songs she recorded that day reveal just how well developed Simone’s sound — her powerhouse vocals, her classically-trained piano-playing, her inventive, genre-blind arrangements, and her dynamic personality — already was. Bethlehem, a small and financially faltering jazz label, picked 11 tracks for Little Girl Blue. This unheralded debut yielded Simone’s biggest hit, a cover of the Gershwins’ “Porgy (I Loves You, Porgy),” as well as her last one, “My Baby Just Cares for Me,” which charted in 1987 after being used in a TV commercial.