Nino Sevilha

The original soundtrack for Il Casanova di Federico Fellini (1976) sees Nino Rota putting into music Federico Fellini's opus on the legendary Venetian icon and "tombeur des femmes." The film is one of Fellini's finest, a grotesque and hyperbolic take on the life of Casanova that is matched by Rota's compositions. Il Casanova di Federico Fellini is possibly one of Rota's most eerie and enigmatic scores, as if the Maestro had finally poured into a soundtrack all of his love for esotericism.

The original soundtrack for Il Casanova di Federico Fellini (1976) sees Nino Rota putting into music Federico Fellini's opus on the legendary Venetian icon and "tombeur des femmes." The film is one of Fellini's finest, a grotesque and hyperbolic take on the life of Casanova that is matched by Rota's compositions. Il Casanova di Federico Fellini is possibly one of Rota's most eerie and enigmatic scores, as if the Maestro had finally poured into a soundtrack all of his love for esotericism.

Robert Schumann’s piano music is invariably bound up with the dramatic events of his life. Schumann channelled both his love for Clara and his pianistic frustrations into his music, which was often composed with Clara in mind, both romantically and musically; she was an outstanding pianist and composer in her own right.

Peter Ustinov first assayed the role of Agatha Christie's Hercule Poirot in this suspenseful 1978 murder mystery. Longtime Fellini collaborator (and Godfather composer) Nino Rota matches the onscreen tension.

La Dolce Vita is a 1960 satirical comedy-drama film directed and co-written (with Ennio Flaiano, Tullio Pinelli and Brunello Rondi) by Federico Fellini. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay, written by Fellini and three other screenwriters, can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.

La Dolce Vita is a 1960 satirical comedy-drama film directed and co-written (with Ennio Flaiano, Tullio Pinelli and Brunello Rondi) by Federico Fellini. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay, written by Fellini and three other screenwriters, can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.

With a layer of Zeffirelli over Shakespeare, topped with a rich helping of Liz and Richard Burton, Rota's score is a predictably thick pudding of high and low culture. These original recordings accompanying the antics of Petruchio and Katharina are ornate and lighthearted, with an alternately sad and heroic theme weaving in and out. Included are the previously unreleased Overture and an alternate version of the "Honeymoon" suite that includes the voice of Sir Richard himself.

Mit der Album-Trilogie „Gesegnet und Verflucht“ hat Nino de Angelo verteilt über die letzten 24 Monate das mutigste und persönlichste Werk seiner mittlerweile vier Dekaden umfassenden Karriere vorgelegt.