no End Jarrett

Recorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down."

Recorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down."

One of the jazz world's most unique and influential pianists since the 1960's, Keith Jarrett is known for his breathtaking solos and stylistic diversity. Live At Open Theater East showcases Jarrett's magic fingers as they interpret a number of classic jazz standards. Keith Jarrett Trio - Live At Open Theater East movie Backed by talented jazz stars Gary Peacock and Jack DeJohnette, Jarrett's music is as beautiful and inspiring as the setting-an illuminated outdoor ampitheater.

SLOWLY: Song for Keith Jarrett was recorded at the end of 2020, a watershed year for pianist Noah Haidu. As critical accolades streamed in for his innovative multi-media release DOCTONE, Haidu was on the verge of realizing another ambitious project: recording a trio album with one of the greatest bass and drum combinations in jazz: Billy Hart and Buster Williams, whose own remarkable collaboration began half a century ago. The project will be released via Sunnyside Records on May 7, 2021, one day before Jarrett’s 75th birthday.

Keith Jarrett - Live In Japan 93/96 (2008) [2xDVD] + Solo Tribute: The 100th Performance In Japan 1987 (2002) [DVD]
2xDVD9 + DVD5 -> 17.2 Gb | All Regions | NTSC 16:9 & 4:3 | LinearPCM, 2 ch / Dolby AC3, 6 ch | ~ 5h 30m | ISO Images
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 2002, 2008 Image Entertainment / ECM Records / VideoArts | DVD 177 2710 / 5722
Jazz / Post Bop / Live / Piano

These 2 shows by the Jarrett trio filmed live in Tokyo in 1993 and 1996. The material was previously released as single DVDs but has been now out of print for several years. The discs were originally issued, separately, as Live At Open Theater East 1993 and Trio Concert 1996. The 1993 set is an open air concert that tackles a large slice of jazz history from "Basin Street Blues" to Sonny Rollins' "Oleo", Jarrett's own "The Cure" and much more. The 1996 date is the filmed footage that corresponds to the trio's "Tokyo '96" CD but adds extra material.

Pianist, composer, and bandleader Keith Jarrett is one of the most prolific, innovative, and iconoclastic musicians to emerge from the late 20th century. As a pianist (though that is by no means the only instrument he plays) he literally changed the conversation in jazz by introducing an entirely new aesthetic regarding solo improvisation in concert. Though capable of playing in a wide variety of styles, Jarrett is deeply grounded in the jazz tradition.

Keith Jarrett - My Foolish Heart (2007) [2CD] + Paris/London. Testament (2009) [3CD] {ECM}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.25 Gb | MP3 @320 -> 646 Mb
Full Artwork @ 300 dpi (jpg) -> 129 Mb | 5% repair rar
© 2007, 2009 ECM Records | ECM 2021~22 / ECM 2130~32
Jazz / Post Bop / Modern Creative / Piano

My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time for release – whatever that means. The bottom line is, listeners are very fortunate to have it. The official live offerings by this group have always been crystalline affairs of deep swinging communication, no matter the material. Not only is My Foolish Heart no exception, it is perhaps the standard by which the others should be judged.

Keith Jarrett - Selected Recordings [2CD] (2002) {ECM}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 724 Mb | MP3 @320 -> 369 Mb
Full Artwork @ 300 dpi (jpg) -> 52 Mb | 5% repair rar
© 2002 ECM Records | rarum I 014 168-2 | 24-bit remaster
Jazz / Post Bop / Piano

The object of ECM's handsomely Digipak-aged Rarum series is to have its roster of artists – past and present – select their favorite performances on the label. Which leads to the next question: Is the artist always the best judge of his or her own material? With that in mind, Keith Jarrett's choices for his two-CD set, the first volume of this series, are sure to be some of the most interesting, wide-ranging, surprising, and controversial of the whole lot. Listeners have had fair warning – ECM's previous Jarrett sampler, ECM Works, was also gleefully unpredictable – but Rarum, Vol. 1: Selected Recordings gives you a much better idea of the staggering variety of Jarrett's interests over a 21-year span than the earlier disc.