no Floor

The 13th Floor Elevators were one of the pioneering bands of American psychedelic rock, and their small but visionary body of work has won them a devoted following, but they've had a hard time earning the respect and historical notice they've deserved. There are many reasons for this, but the often-shoddy treatment of their recorded legacy doubtless has a great deal to do with it…

Given the cold shoulder Madonna's 2003 album American Life received by critics and audiences alike – it may have gone platinum, but apart from the Bond theme “Die Another Day,” released in advance of the album, it generated no new Top Ten singles (in fact, its title track barely cracked the Top 40) – it's hard not to read its 2005 follow-up, Confessions on a Dance Floor, as a back-to-basics move of sorts: after a stumble, she's returning to her roots, namely the discos and clubs where she launched her career in the early '80s. It's not just that she's returning to dance music – in a way, she's been making hardcore dance albums ever since 1998's Ray of Light, her first full-on flirtation with electronica – but that she's revamping and updating disco on Confessions instead of pursuing a bolder direction.