no Good Dead

Popular and prolific, Bumble Bee Slim parlayed a familiar but rudimentary style into one of the earliest flowerings of the Chicago style. Much of what he performed he adapted from the groundbreaking duo Leroy Carr and Scrapper Blackwell – Slim built on Carr's laconic, relaxed vocal style and Blackwell's guitar technique. During the mid-'30s, Bumble Bee Slim recorded a number of sides for a variety of labels, including Bluebird, Vocalion, and Decca, becoming one of the most-recorded bluesmen of the decade.Born in Georgia, Bumble Bee Slim left his home when he was a teenager. He joined a circus and travelled thorughout the south and the Midwest for much of his adolescence and early adulthood. Eventually, he made a home in Indianapolis, where he played local parties and dance halls.Bumble Bee Slim moved to Chicago in the early '30s…..

Beyond Description (1973-1989) is a companion set to 2001's 12-disc box The Golden Road (1965-1973), which collected all of the Grateful Dead's albums for Warner Bros, adding bonus tracks to each album, along with a double-disc collection of early pre-Warner recordings called "Birth of the Dead" for good measure. Beyond Description picks up the story after the Dead started their own label with 1973's Wake of the Flood and runs all the way to 1989, when they released their last studio album, Built to Last. Like The Golden Road, each album here is enhanced with bonus tracks, running the gamut from as little as three (on Built to Last) to has many as 16 (a full-length bonus disc added to 1980's live acoustic Reckoning), but there's nothing quite as enticing as "Birth of the Dead." Indeed, "enticing" is not a word that's frequently associated with the albums in this collection.

Even among Deadheads, there's always been a sense that Jerry Garcia's studio albums have been somewhat ignored. Part of this ties back to the often repeated urban legend that the Grateful Dead were never as good in the studio as they were live – an argument that has some truth but tends to downplay the merits of the studio albums, which had their own distinct attributes. This also applies to Garcia's studio records, but as a whole they're more problematic than the Dead's catalog…

Collection includes 3 studio albums and 3 EP by American indie rock band Dead Heart Bloom.

Grateful Dead - Fillmore West 1969: The Complete Recordings (2005) [10CD+Bonus CD BoxSet] {Grateful Dead Prod.}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.91 Gb | MP3 @320 -> 1.52 Gb
Full Artwork @ 300 dpi (jpg) -> 90 Mb | 5% repair rar
© 2005 Grateful Dead Productions | DECD291
Rock / Psychedelic Rock / Jam Bands

Few concert runs (read: several shows in the same venue) are as highly lauded by Grateful Dead enthusiasts as February 27 through March 2, 1969, at the Fillmore West in San Francisco. Although the title Fillmore West 1969: The Complete Recordings is misleading – as they played there upward of two dozen times during the year – practically every second of their eight-set, four-night stand is captured on this ten-CD box. The concurrent lineup included founders Ron "Pigpen" McKernan (vocals/organ/harmonica), Jerry Garcia (guitar/vocals), Bob Weir (guitar/vocals), Phil Lesh (bass/vocals), and Bill Kreutzmann (percussion). In September of 1967 that quintet was augmented by Mickey Hart (percussion) and the following March Tom Constanten (keyboards) joined to complete the incarnation heard here.

30 Trips Around the Sun is an 80-CD live album, packaged as a box set, by the rock band the Grateful Dead. Announced for the celebration of their 50th anniversary, it consists of 30 complete, previously unreleased concerts—73 hours of music—with one show per year from 1966 through 1995. The box set is individually numbered and limited to 6,500 copies. It was released on October 7, 2015.

Five CD sets containing 100 classic tracks by legendary artists, one of the biggest selling and best remembered musical icons of all time.