no Reptiles Everything Everything

801 & Phil Manzanera - 801 Live (1976) {2CD Set, Expression Records EXPCD3R, Collector's Edition rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 786 Mb | MP3 @320 -> 274 Mb
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© 1976, 2009 Expression Records | EXPCD3R
Rock / Prog Rock / Art Rock / Electronic / Experimental Rock

801 provided Roxy Music guitarist Phil Manzanera with one of his most intriguing side projects. Although the band only played three gigs in August and September 1976, this album captures a night when everything fell right into place musically. That should only be expected with names like Eno and Simon Phillips in the lineup. (Still, the lesser-known players – bassist Bill MacCormick, keyboardist Francis Monkman, and slide guitarist Lloyd Watson – are in exemplary form, too.) The repertoire is boldly diverse, opening with "Lagrima," a crunchy solo guitar piece from Manzanera.

Brian Eno - Another Green World (1975) {2009 Virgin DSD Remaster}
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© 1975, 2009 Virgin Records | 50999 6 84527 2 8
Experimental Rock / Avant-Garde / Art Rock / Ambient

A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Sky Saw," "In Dark Trees," and "Little Fishes," are highly imagistic, like paintings done in sound that actually resemble their titles.

Charisma were a band from the Hartford, Connecticut area, and were very typical of the confused American year of 1970. It basically means that bands were throwing any and everything against the wall hoping it would stick - or in practical terms - obtaining radio airplay. And Charisma falls in line with their mix of blues, hard rock, progressive, psych, and old fashioned rock and roll. It's a mess basically. But some of these albums had gems in the midst of the ordinary, and that's where we come in. Charisma has a strong Hammond organ and overall keyboard presence, and there are a couple of tracks that display this in an instrumental progressive rock format ('Street Theatre', 'Ritual Dance of the Reptiles'). There are other very good proto-prog/bluesy numbers in 'Leopold's Ghost' and 'The Age of Reptiles'. The rest is take it or leave it…

801 provided Roxy Music guitarist Phil Manzanera with one of his most intriguing side projects. Although the band only played three gigs in August and September 1976, this album captures a night when everything fell right into place musically. That should only be expected with names like Eno and Simon Phillips in the lineup. (Still, the lesser-known players - bassist Bill MacCormick, keyboardist Francis Monkman, and slide guitarist Lloyd Watson - are in exemplary form, too.) The repertoire is boldly diverse, opening with "Lagrima," a crunchy solo guitar piece from Manzanera. Then the band undertakes a spacey but smoldering version of "Tomorrow Never Knows"; it's definitely among the cleverest of Beatles covers. Then it's on to crisp jazz-rock ("East of Asteroid"), atmospheric psych-pop ("Rongwrong"), and Eno's tape manipulation showcase, "Sombre Reptiles"…

Charisma were a band from the Hartford, Connecticut area, and were very typical of the confused American year of 1970. It basically means that bands were throwing any and everything against the wall hoping it would stick - or in practical terms - obtaining radio airplay. And Charisma falls in line with their mix of blues, hard rock, progressive, psych, and old fashioned rock and roll. It's a mess basically. But some of these albums had gems in the midst of the ordinary, and that's where we come in. Charisma has a strong Hammond organ and overall keyboard presence, and there are a couple of tracks that display this in an instrumental progressive rock format ('Street Theatre', 'Ritual Dance of the Reptiles'). There are other very good proto-prog/bluesy numbers in 'Leopold's Ghost' and 'The Age of Reptiles'. The rest is take it or leave it…

A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Sky Saw," "In Dark Trees," and "Little Fishes," are highly imagistic, like paintings done in sound that actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time…

A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Sky Saw," "In Dark Trees," and "Little Fishes," are highly imagistic, like paintings done in sound that actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time…

A universally acknowledged masterpiece, Another Green World represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects Eno's growing virtuosity at handling the recording studio as an instrument in itself (à la Brian Wilson). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Sky Saw," "In Dark Trees," and "Little Fishes," are highly imagistic, like paintings done in sound that actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time…

Shadowy and menacing like an impending tornado, One Shot is one hell of a heavy prog nightmare, reminding us that King Crimson's "Red" was pretty close to zeuhl and that a fantastic foursome can still be the finest sonic orgy ever…

Brian Eno - Vocal (1993) {3CD Box Set, Virgin-EG Records ENOBX 2 SBM 20bit remaster rel 1999}
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© 1973-92, 1999 Virgin / EG Records | ENOBX 2 / 7243 8 39114 2 4 | SBM 20bit remaster
Electronic / Avant-Garde / Alternative / Experimental Rock / Experimental Electronic / Art Rock / Ambient

Recording Date 1973 - 1992. This box set is a deluxe masterpiece in its creation. It starts off as a box that has a box within it that slides out the open side and inside the middle box there are the 3 cds and a booklet. The discs are a complete overview of Brian Enos' vocal music. The first disc contains the first 2 solo albums he made. It is refreshing to have them both together vurtually untouched(i say vurtually because I dont even know what they omitted to fit them on together). The second disc contains the bulk of Another Green World and Before and After Science. Both Classics in my book. The last disc is the treasure for most people probably have the first 4 albums. The first discs only throw hints of having rare tracks with only a couple per cd. The 3rd disc which has not only Enos projects for outside artists represented but it also contains the unfinshed album of pop songs called My Squelchy Life. As far as i can tell he hasnt made anything like those early vocal albums since he worked on this album back in 91. Consequently the disc is very valuable and with the deluxe packaging of the box it makes a terrific box set.