no Sleep Till

Set to an all-new sonic backdrop of Awesome Mixtape #3, Marvel's Guardians of the Galaxy Vol. 3 continues the team's adventures as they traverse the outer reaches of the cosmos. It’s time to face the music. Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own - a mission that could mean the end of the Guardians if not successful. Featuring a stellar lineup of tracks perfect for any hero saving the galaxy.

Motörhead are a legendary British rock band, highly influential in the development of many different rock and metal subgenres (including Thrash Metal, where many bands cover their songs) who love Rock N' Roll but for some reason blurred the lines of Punk and Heavy Metal when actually playing it. This box set compiles the bands second through to sixth studio albums, as well as their first live album. The albums in question are 1979's Overkill & Bomber, as well as 1980′s Ace Of Spades, 1981's No Sleep 'Till Hammersmith, 1982's Iron Fist and finally 1983's Another Perfect Day. All these albums feature the classic line-up of Ian 'Lemmy' Kilmister, Phil 'Philthy Animal' Taylor and 'Fast' Eddie Clarke, with the exception of Another Perfect Day on which Clarke is replaced on guitar by Thin Lizzy’s Brian Robertson.

Licensed to Ill is the debut studio album by American hip hop group Beastie Boys. It was released on November 15, 1986 by Def Jam and Columbia Records. It was the first rap LP to top the Billboard album chart. It is also one of Columbia Records' fastest-selling debut records to date and was certified Diamond by the Recording Industry Association of America in 2015 for shipping over ten million copies in the US.

Something to remember while listening to the 2020 anthology Beastie Boys Music is that the band never knew what they were doing exactly—they had ideas but not really a plan. At least, not evidently. Listening to Music, the impression is of a band in a state of restless experimentation, true to themselves but so dilated and available to what the world had to offer that they couldn’t stay in place for long. They were magpies, and in their continuous absorption—new and old, white and black, cool and cool-in-waiting—they not only redrew boundaries between hip-hop, pop, and rock, but anticipated a culture in which stewing together your disparate interests could be a gesture of creativity in and of itself.