Noda

Sublime sonics from Detroit dub techno lord Rod Modell and Taka Noda aka Mystica tribe operating in a somewhat melancholy ambient mode. This is the forlorn sound of wandering rainy city streets at night, lights reflecting in puddles and shiny surfaces. There's an ever-present radiant luminescence punctured by environmental sounds, field recordings and ghostly brittle rhythms that emerge and retreat. If you dig Modell's Shorelights and Waveform Transmissions projects, then make some time for "Glow World". Pure bliss.

Sublime sonics from Detroit dub techno lord Rod Modell and Taka Noda aka Mystica tribe operating in a somewhat melancholy ambient mode. This is the forlorn sound of wandering rainy city streets at night, lights reflecting in puddles and shiny surfaces. There's an ever-present radiant luminescence punctured by environmental sounds, field recordings and ghostly brittle rhythms that emerge and retreat. If you dig Modell's Shorelights and Waveform Transmissions projects, then make some time for "Glow World". Pure bliss.

For a long time it has been a dream for me to compose a piano concerto, so I am grateful for this opportunity given by the Japan Philharmonic Commission Series. ( “Japan Phil Series”) In composing this work, I tried to explore what the piano concerto can mean in this day and age, and the diverse colours I can bring out of the piano. In terms of the relationship between the piano and orchestra, I aimed to create a variety of dynamics: sometimes in harmony, sometimes in dialogue, and at times against each other. The work consists of three movements. Most of the main elements that form this concerto appear in the first movement and are developed. The second movement begins with a dialogue between the clarinet and piano, and a brief cadenza is placed in the second half. The third movement is a toccata-like finale in fast quintuple time. Just before the final section, the second movement cadenza reappears, leading into the coda.