"…an hour of wonderfull Bachplaying on an assortment of ‘wrong’ instruments (…) This is an unusual Bach disc, but one which both revels in the music of the moment and reveals its timelessness." ~Gramophone
In the late 1940s, Louis Armstrong disbanded his orchestra and returned to the small group format, resulting in the birth of his legendary "All Stars" band.
In its original incarnation, it was a truly all-star quintet, which boasted the great Earl Hines, Jack Teagarden, Barney Bigard and Sidney Catlett as its other members. Sustaining a group that included so many former leaders was not easy, and although the name remained, the components changed. This 1962 concert at Stockholm, for instance, presents none of the original members except for Louis himself. The band members proved effective accompanists for the group's primary star. Most of them were well known jazz figures.
Here's a second release from Brilliant Classics of the Neapolitan musician Francesco Mancini (1672–1737), a leading light in his city's culture of composition and education as director of the Conservatorio di S Maria di Loreto, maestro of the Royal Chapel and composer of 29 operas and more than 200 cantatas. His modern reputation largely rests on his recorder sonatas (available on 94058); the new release extends our knowledge of that cheerful aesthetic to his recorder concertos, in similarly sprightly, periodinstrument performances by young musicians with a background in this repertoire.
Einar Englund's music might not be as deeply original as that of his elder countryman Sibelius, but it is wonderful, beautifully made music nonetheless. The Piano Quintet dates from 1941. It was Englund's graduation exercise, and it attracted the favorable attention of Sibelius himself. Already you can hear the qualities that characterize all of Englund's music: the late-Romantic, Russian-leaning sound of Shostakovich and Prokofiev, the clean lines, tight formal control, and memorable melodic ideas.
The new composition of Freedom came in 1972 and recorded his latest album, "more than a word". Along with the true masterpieces of the disk and there are quite weak (compared with the early works) things …
Swanlights, the fourth full-length by Antony and the Johnsons, reveals that 2009's The Crying Light was a stepping stone that furthered his sophistication as a songwriter, arranger, and singer. While that album's tunes about acceptance, death, transformation, and loss were added to immeasurably by Nico Muhly's gorgeous string arrangements, Swanlights employs the same band, this time augmented by a chamber orchestra. Antony Hegarty uses his voice on this set as much as a textural element in his songs as he does to deliver his poetic, and sometimes head-scratchingly obtuse lyrics, like "Elect the salt mother, for she is a selective Christ." These songs engage with popular genres from folk-rock to grand classical chamber orchestral, but they do touch on vanguard art song as well.
Instrumental music with vocal addition at its best! A bastard meeting between some musical individualists resulted in a series of records that stunned the world. High quality performance combined with musical integrity gives you a unique amount of satisfaction. They were, at the end of the Seventies and in the Eighties, the Swedish representative of the collective Rock In Opposition founded by Chris Cutler. Their music is a blend of mostly instrumental 70's progressive rock, Scandinavian folk, jazz-fusion, avant-garde, RIO (Rock In Opposition) and World Music. The vocals in Swedish, the use of accordion, handbells, marimbas and percussions of all kinds gives a very personal touch to this music…
Symphony No. 9 is Philip Glass' ninth symphony. It was written between 2010 and 2011. It is written in 3 movements. It was commissioned by the Bruckner Orchester Linz, Carnegie Hall, and the Los Angeles Philharmonic Association.
Seu Jorge (born June 8, 1970; Portuguese is a Brazilian musician, singer/songwriter and actor. Born Jorge Mбrio da Silva, he was raised in a favela in what is now known as the city of Belford Roxo, near Rio de Janeiro. When he was 19, he became homeless and remained homeless for three years; nonetheless, his musical talent flourished when he was living in the streets and he became known in the "favelas". He is considered by many a renewer of Brazilian pop samba. Seu Jorge cites samba schools, and American soul singer Stevie Wonder as major musical influences. Jorge is also known for his role as Knockout Ned in the 2002 film City of God. His work has notably received praise from several of his fellow musicians such as Beck and David Bowie.