Norah Jones Play on

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

A sampler as a taster for latest releases of a label are nothing unusual. ACT boss Siegfried Loch has however the ambition with his own label’s sampler to "get the information about new releases across in a manner which also provides pleasure to the listener". A sound adventure with a high chance of new discoveries are always key to ACT World Jazz anthologies - but they must give enjoyment to the listener.

A sampler as a taster for latest releases of a label are nothing unusual. ACT boss Siegfried Loch has however the ambition with his own label’s sampler to "get the information about new releases across in a manner which also provides pleasure to the listener". A sound adventure with a high chance of new discoveries are always key to ACT World Jazz anthologies - but they must give enjoyment to the listener.

For Rebecca Martin, the comparisons to Norah Jones will be inevitable when critical ears listen to "Here the Same but Different" from Martin's People Behave Like Ballads. The song has the same breezy folk-pop appeal of Jones' hit "Don't Know Why" and Martin's delivery of the song is just as relaxed and carefree. But the comparison is somewhat unfair as Martin debuted her jazzy blend of folk-pop in 1999 on Thoroughfare, three years before Jones's breakthrough.