nu King

In her first major recording as leader, keyboardist and composer Rebecca Nash's presents her Atlas group on 'Peaceful King', which interlaces a panoply of strands - rock, drum-and-bass, '70s fusion, soul-jazz and electronica, alongside singer-songwriter influences - into a widening landscape of beauty of wonder. The regular line-up of longtime associates Nick Malcolm (trumpet) and Matt Fisher (drums) plus Thomas Seminar Ford (electric guitar) and Chris Mapp (electric bass, electronics) is augmented here on three numbers by the rich, intuitive vocals of Sara Colman. The exciting cross-pollination of music, especially discernible around the sphere of contemporary instrumental and vocal jazz, has become a strong, progressive feature of today's fresh, creative outputs.

Reid Anderson, Dave King, Craig Taborn: the start of this intimate fellowship, also a narrative showing the invaluable role of friendship in music, is dated 1982. At the forefront are songs based on a pop sensibility, played live without sequencers and delivered by astound ing improvisers and virtuoso instrumentalists, eschewing the muscular gestures of soloist free-styling and improvisatory furore and thus making wisdom audible: the whole is greater than the sum of its parts.

Why so serious? AVATAR's seventh album "Avatar Country" is a again a mix of Nu Metal, Melodic Death Metal and the typical AVATAR Sound, which makes it very special again. People of Earth! Avatar Country is blessing you by opening its borders to the world! Glory to our King! It is with great pride and joy that we here at Avatar Country’s Department of Good News, get to announce the following: “AVATAR the band, featuring His Royal Highness The King and his elite backing orchestra will release their seventh full length, “Avatar Country” on January 12, 2018 via Entertainment One in North America and Century Media Records Ltd. in the rest of the world. A staff member of the Court comments: We see this as our opportunity to finally show the world the glory of “Avatar Country” and our King. The album contains the expected superior examples of how metal should and must sound today and for all eternity. Plus, also included is a new rendition of our national anthem and audio recordings from some of the finest moments of the King’s history of public speaking. “Avatar Country” will also serve as the highly anticipated follow-up to “Feathers and Flesh”. The King and His Band will go on a series of state visits all over the world this winter and spring. GLORY TO OUR KING!”

Theatrics in heavy metal seem to roll in and out with the tide. In the '80s, it was almost an expectation for bands to give listeners an over the top experience that mashes together both their music and their stage show for an over the top experience. As time went on, bands began to pay less attention to the appearance side of things, and show up onstage looking little different than the people in the audience. It’s a good gesture generally, with all people in the room being equal, but many still want a heightened sense of reality that metal can bring. It’s the mission statement of Avatar to do so.

In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?

In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?

A heavyweight astral shower of rhythm and vibes, Ash Walker’s third album ‘Aquamarine’ is set for release on 19th July via Night Time Stories. An avid collector of jazz, blues, soul, funk, reggae, and all things in-between; Ash has DJed far and wide… from the infamous Royal Mail squat party to the canals of Venice, spinning vinyl in Brixton with The Specials to scattering dub across San Francisco and LA.