Nude 31

The B-52's were one of the great new wave bands, one of the ones who defined the style and cut one of the great records of their time (their eponymous debut), an outfit who maintained a dedicated following even as they fell off the radar of critics and hipsters, a group who overcame a tragic loss (guitarist Ricky Wilson) to make a startling, unpredictable comeback that launched them beyond college radio and to the top of the pop charts. It's a hell of a story, even if the final act was decidedly anticlimatic (after one follow-up to the Cosmic Thing comeback, 1992's Good Stuff, the group essentially disappeared apart from an embarrassing version of the Flintstones theme for the 1993 big-screen adaptation), and they're easily one of the more legendary bands of their time.

The Nude Party – one of 2018’s most groovy and dynamic rock records is produced by Oakley Munson of The Black Lips and recorded in Woodstock, NY at Dreamland Recording Studios, the circa-1896 former St. John’s Church. The self titled album finds that formidable music machine cranked all the way to cosmic. Maybe it’s the electric waters of Lake Norman, NC where the band spent a primordial summer, or the upstate New York vibes that have beckoned American spiritualists and storytellers for a dozen generations, but something gives these cats a glow. At very least the numerology scans. Even when heartbreak crashes the party, like on the hilarious “Records,” the buoyancy of the band’s demeanor negates in the inevitable bummer. From the self-aware irreverence of “Chevrolet Van” to the apocalyptic resignation of “War Is Coming,” The Nude Party surfs heavy wavelengths with elegance and grace.