Oasis Lyrics

Osie Johnson - The Happy Jazz Of Osie Johnson (1955) {2014 Japanese Bethlehem Album Collection 1000}
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© 1955, 2014 Solid Records / Bethlehem | CDSOL-6136 | LP BCP-66
Jazz / Bop / Bebop / Drums

Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. Osie Johnson looks a bit blurry on the cover, but the music on the record is razor-sharp – a great demonstration not only of Johnson's skill on the drums, but also his rare talents as a leader! Osie graced countless top-shelf sessions in the 50s, but only got a rare few chances to work up front – and he does a great job here with a shifting lineup that includes Thad Jones on trumpet, Frank Wess on tenor and flute, Henry Coker on trombone, and Ernie Watkins on alto – all players used in differently-sized groups throughout the length of the set. Most tunes have a nice groove – a bounce that might refer to the "happy" in the title – and Johnson also sings at a few points, with this great raspy R&B style. Titles include "Osmosis", "Cat Walk", "Johnson's Whacks", "The Desert Song", "Osie's Oasis", and "Flute To Boot".

Essential: a masterpiece of progressive rock music.
"It could be made into a monster if we all pull together as a team"
Pink Floyd were smart with this album. Given the overwhelming success of its predecessor, they could easily have tried to create "Dark side of the moon, 2".

Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.

Kitaro's universally acknowledged as the founding architect of new age music. The Grammy and Golden Globe Award-Winning Kitaro has achieved global acclaim over a more than three decade long career with a signature sound and a pioneering fusion of cultures, techniques and spheres of consciousness that are truly his own.

Over her fifty-plus year career, singer Maria Muldaur has released more than thirty recordings, scoring one bonafide hit with “Midnight At The Oasis” from her 1973 self-titled album. But she could have had a second hit from the same album. As she explains in her notes included in the packaging of her new release, disc jockeys across the country had another song on the album, “Don’t You Feel My Leg,” in more frequent rotation than “Oasis”. Discussions with her record company about making that song the follow-up broke down as the label considered the track too risque for the general public, a decision that certainly seems quaint today with standards that allow all kinds of potentially offensive language and sexual references on the air, even in the Oval Office at the White House. Muldaur includes an updated version of the song on her exceptional tribute to one of the tune’s writers, Louisa “Blue Lou” Barker.

Menswe@r - Nuisance
EAC+LOG+CUE | FLAC: 290 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Laurel # 828 676 2 | Country/Year: UK 1995
Genre: Rock, Indie | Style: Brit Pop

Perhaps Menswear was always destined to be a footnote in pop history, a product of the heady good times of London in 1994 and 1995. Reportedly signed after only three shows, the band was never given the chance to fully develop before they recorded their debut album, Nuisance. (…) Like Oasis and Blur, Menswear appropriates sections of pop history, claiming them as their own.

The nine-track album pulls tracks from 2003’s Ocean Avenue (title track, “Only One”), 2006’s Lights And Sounds (“Waiting Game”), 2007’s Paper Walls (“You And Me And One Spotlight”), 2012’s Southern Air (title track, “Telescope”), 2014’s Lift A Sail (“Transmission Home”) and 2016’s Yellowcard (“Empty Street”, “A Place We Set Fire”). “It is such an honor to have worked on ‘A Hopeful Sign’ with such talented humans, and this record will be something we cherish forever,” says Ryan.