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This very special 31-disc CD singles collection celebrates the legacy and phenomenal chart success of the Stock Aitken Waterman songwriting and production team, who provided the pop soundtrack of the late 80s. Released to mark 30 years since their first UK number one with Dead Or Alive’s You Spin Me Round (Like A Record), this is the first-ever box set devoted to the hitmaking partnership of Mike Stock, Matt Aitken and Pete Waterman and tells their whole story by bringing together 31 classic releases from 31 different artists.

At the peak of their career, Sly & the Family Stone topped the charts with a Greatest Hits album – in 1970, it was their first LP to crack the Billboard Top 200, peaking at number two; an argument could be made that it was the LP that cemented their stardom – and over the years, they've been anthologized many times, almost each compilation worthwhile, but they've never been subjected to a comprehensive box set until Legacy's 2013 four-disc set Higher!…

Five CD box set containing a quintet of original albums from this Blues/Rock/Pop outfit: "Live" Full House, Bloodshot, Ladies Invited, The J. Geils Band and The Morning After.

The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. Prior to that, no soul label had its output as thoroughly documented as that set – there had been the Atlantic R&B box, which collected highlights, but it never attempted to capture the label's entire run – and while The Complete Stax-Volt Singles 1959-1968 missed a B-side or two, it was an exceptional piece of music history, and pretty damn entertaining to boot.

The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. Prior to that, no soul label had its output as thoroughly documented as that set – there had been the Atlantic R&B box, which collected highlights, but it never attempted to capture the label's entire run – and while The Complete Stax-Volt Singles 1959-1968 missed a B-side or two, it was an exceptional piece of music history, and pretty damn entertaining to boot.

This four-disc, 68-track collection paints a broad definition of the blues, with cuts ranging from vintage country blues (Robert Johnson's “Cross Road Blues,” Son House's “Death Letter Blues”) to uptown jazz blues (Nina Simone's “Blues for My Mama,” Billie Holiday's “Billie’s Blues”), Chicago blues (a live version of “Howling Wolf” by Muddy Waters), British blues (Jeff Beck's “JB’s Blues”), and contemporary acoustic blues (“Am I Wrong” by Keb' Mo'), with plenty of stops in between, making for a random but varied playlist that circles the different approaches and musical definitions of the genre.

At one level, one would have to be a collector, an Anglophile, or a 1960s pop culture enthusiast to consider this 14-CD set a good deal. In the U.K., the EP ("extended play" single), which contains more tracks than an ordinary single and fewer than an album, has always been a far more popular format than it is in the U.S. During their heyday, the Beatles regularly released EPs in Great Britain, a total of 13 of them, in fact, between June 1963 and December of 1967, and they're all assembled in this box, complete with original art and sleeves in miniature…