Ogun

Selfless is an exploration of catharsis and the escape from entrapments of subjectivity and solipsism, guided by Cousin’s renunciation of any ‘original’ playing or recording of his own, while celebrating intimate community and inter-subjectivity through solicitation of private voice recordings from close friends: Natalie Reid recites her own poem on the hypnotic “Observer (Natalie’s Song)”; Ogun Afariogun (aka Tide Jewel) contributed a freestyle rap recorded and sent by phone on “Yung Wether (Ogun’s Song)”; Ayuko Goto (aka Noah) provided a sound file of whispers for “Empathy (Ayuko’s Song)”; “Dissociation (Kyla’s Song)” is entirely constructed of vocals by Kyla Brooks (aka Nag). The rest of the album’s 12 songs explore a gamut of strategies ranging from the textural, beatless, Satie-inflected opener “Song Siènne” to the pulsing ambient-industrial techno of “Cinema Without People” and “Abjection”, and the kinetic, deconstructed IDM-electronica of “Aesthetics Of Disappearance” and “Agnosia”.

Elton is a central figure both in the development of the British jazz scene through the '70s and beyond, and in the rock scene at the time. Known to wider audiences through his connection to the Soft Machine, his sinuous, post-Coltrane lines on alto and the rare saxello appear in many progressive contexts in the period. His compositions were strong too, reflecting an interest in melody and lyricism, and this band is a showcase for the strength of his music. It also demonstrates Elton's abilities as an arranger - the unusual line up extracts gold from these already fine pieces in it's ensemble sonorities. Of course, the band is top-notch, featuring the finest UK saxists of the time, with a wonderful rhythm section. Tony Levin in particular is an undersung hero of the drums.

Elton is a central figure both in the development of the British jazz scene through the '70s and beyond, and in the rock scene at the time. Known to wider audiences through his connection to the Soft Machine, his sinuous, post-Coltrane lines on alto and the rare saxello appear in many progressive contexts in the period. His compositions were strong too, reflecting an interest in melody and lyricism, and this band is a showcase for the strength of his music. It also demonstrates Elton's abilities as an arranger - the unusual line up extracts gold from these already fine pieces in it's ensemble sonorities. Of course, the band is top-notch, featuring the finest UK saxists of the time, with a wonderful rhythm section. Tony Levin in particular is an undersung hero of the drums.