David Oistrakh is considered the premiere violinist of mid-20th century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. Oistrakh's violin studies began in 1913 with famed teacher Pyotr Stolyarsky. Later he officially joined Stolyarsky's class at the Odessa Conservatory, graduating in 1926 by playing Prokofiev's First Violin Concerto.
To celebrate the legendary David Oistrakh, one of the greatest violinists ever, Deutsche Grammophon presents a box set which brings together for the first time all his recordings for DG, Decca, Philips & Westminster/Melodiya. This limited-edition, original jackets 22-CD box features legendary recordings as a testimony of the very pinnacle of violin playing - among them Bach Sonatas which are released on CD for the very first time, plus three additional recordings never before released on DG.
Anyone listening to this admirable set will gain an accurate impression of David Oistrakh’s overall playing style, his poise, composure, interpretative finesse, velvety tone and highly sophisticated musicianship. Various of the works programmed are - or have been - available in alternative Oistrakh recordings (the Tchaikovsky and Brahms concertos in around six versions apiece), but Melodiya’s selections are, in general, judiciously chosen.
To celebrate the legendary David Oistrakh, for many, one of the greatest violinists ever, Deutsche Grammophon presents a 22-CD box set which brings together for the first time all his recordings for DG, Decca, Philips & Westminster/Melodiya.
A generous and unusual pairing of two romantic concertos in the best recordings by "King David", playing his Stradivarius Comte de Fontana, fully animated by Gennady Rozhdestvensky, a modern conductor knowing perfectly the deep Baltic souls.
With the return of these stereo recordings by David Oistrakh and Lev Oborin (made in Paris in 1962), many collectors will find an automatic first choice. This new Philips set presents these accounts in fine digital transfers and has the benefit of having all 10 sonatas placed sequentially across four CDs. The performances are exceptionally fine, sometimes not as dramatic as Schneiderhan's (DG), it's true, but always intensely musical and natural.
The air on Mt. Olympus must have been something like that in Berlin’s Jesus-Christus-Kirche when, in September 1969, the threesome of Richter, Oistrakh and Rostropovich joined Herbert von Karajan for this majestic recording of Beethoven’s underrated Triple Concerto. That there could have been such a meeting of the minds in this gathering of greats is difficult to believe, until one remembers that the three soloists were frequent collaborators who all spoke the same musical language, and after years in the trenches knew each other and their conductor very well. As one would expect, the solo work of the three Russians is brilliant and deeply musical. But just as delightful is the way they adjust from solo to ensemble roles and play together, with perfect unanimity, in the duet and trio passages. Karajan and the Berliners provide a monumental accompaniment, weighty, powerful, and rich in tone. The recording, one of the best from EMI in this venue, has been remastered in exemplary fashion and is impressively detailed and vivid.