ok Magazine Australia May 2020
OK! Magazine Australia - May 11, 2020 Magazines
Posted by Shor at April 29, 2020
OK! Magazine Australia - May 04, 2020 Magazines
Posted by Shor at April 22, 2020
Cream - Wheels Of Fire (1968) {1989, Japanese Reissue} Music
Posted by popsakov at Jan. 22, 2023
Cream - Wheels Of Fire (1968) {1989, Japanese Reissue}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 536 Mb | MP3 CBR320 ~ 240 Mb
Full Scans | 00:36:07 + 00:44:18 | RAR 5% Recovery
Blues Rock, Psychedelic Rock, Classic Rock | RSO Records / Polydor K.K. #P36W 22003/4
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 536 Mb | MP3 CBR320 ~ 240 Mb
Full Scans | 00:36:07 + 00:44:18 | RAR 5% Recovery
Blues Rock, Psychedelic Rock, Classic Rock | RSO Records / Polydor K.K. #P36W 22003/4
Wheels of Fire is the third album by the British rock band Cream. It was released in August 1968 as a two-disc vinyl LP, with one disc recorded in the studio and the other recorded live. It reached number three in the United Kingdom and number one in the United States, Canada and Australia, becoming the world's first platinum-selling double album. In May 2012, Rolling Stone magazine ranked it at number 205 on its list of the 500 greatest albums of all time.
Big Joe Shelton - Albums Collection (2008-2017) Updated Music
Posted by popsakov at March 26, 2020
Big Joe Shelton - Albums Collection (2008-2017)
4CD | EAC Rip | FLAC (Img) + Cue + Log ~ 1,51 Gb | MP3 CBR320 ~ 561 Mb
Full Scans | 03:16:58 | RAR 5% Recovery
Juke Joint Blues, Rockin' Blues, Blues Rock | Big Joe Shelton / ALT 45 Records
4CD | EAC Rip | FLAC (Img) + Cue + Log ~ 1,51 Gb | MP3 CBR320 ~ 561 Mb
Full Scans | 03:16:58 | RAR 5% Recovery
Juke Joint Blues, Rockin' Blues, Blues Rock | Big Joe Shelton / ALT 45 Records
The musical roots of Big Joe Shelton, a 2012 Blues Music Award Nominee, run deep in the rich, dark, rich, soil of the Black Prairies of Northeast Mississippi; the same region that spawned the likes of blues icons Howlin’ Wolf, Big Joe Williams and Bukka White. As a young man Shelton was fortunate in befriending Williams and this friendship greatly influenced his musical sensibility. Big Joe has performed at numerous festivals and clubs throughout the southeastern United States including: King Biscuit Blues Festival, Howlin’ Wolf Memorial Blues Festival, Freedom Creek Blues Festival and the Beal Street Mess Around. He has also toured England, France, Belgium, Bulgaria and the Netherlands. He has played with blues legends Big Joe Williams, Furry Lewis, Son Thomas, Junior Kimbrough, Fenton Robinson and BMA / Handy Award nominees Willie King, Blind Mississippi Morris, R. L. Burnside and Johnny Rawls as well as Daniel “Slick” Ballinger, the 2007 BMA Best New Artist and 2009 Grammy nominee Elvin Bishop.
Barbra Streisand - Lazy Afternoon (1975) [1992, Japan] Music
Posted by BlondStyle at Jan. 6, 2023
![Barbra Streisand - Lazy Afternoon (1975) [1992, Japan]](https://pixhost.icu/avaxhome/35/6c/00996c35_medium.jpg)
Barbra Streisand - Lazy Afternoon (1975) [1992, Japan]
Pop/Rock, Vocal Pop, Ballad, Disco | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 36:36 | 503,36 Mb
Label: Sony/Sony Music Entertainment (Japan) Inc. | Cat.# SRCS 5886 | Released: 1992-06-21 (1975-10-14)
Pop/Rock, Vocal Pop, Ballad, Disco | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 36:36 | 503,36 Mb
Label: Sony/Sony Music Entertainment (Japan) Inc. | Cat.# SRCS 5886 | Released: 1992-06-21 (1975-10-14)
"Lazy Afternoon" is the 17th studio album recorded by American singer Barbra Streisand. It was released on October 14, 1975 by Columbia Records. Following a mixed critical response to her previous studio album, "ButterFly" (1974), the singer began working with new musicians for the project. Recorded in April 1975 in Los Angeles, "Lazy Afternoon" contains pop standards. Producer Rupert Holmes wrote three songs on the album, and co-wrote a fourth, "By the Way", with Streisand. She also included a few cover songs, such as Four Tops' "Shake Me, Wake Me (When It's Over)", Stevie Wonder's "You and I", and Libby Holman's "Moanin' Low". The album received generally favorable reviews from music critics who agreed that it was more exciting than "ButterFly". Commercially, the album peaked at #12 on the United States, #42 in Canada, and #84 in Australia. It was later certified Gold by the RIAA.