Oldelaf T'es Qui Toi ?

This two-CD set collects most of Celine Dion's essential recordings from her pre-superstar years, when she was a very young French singer, popular in Canada and France. This set starts with the heavily synthesized Euro pop of the 1988 Eurovision contest winner "Ne Partez Pas Sans Moi," which was the song that introduced the singer to international audiences, and is something of a milestone in her career. Many of the songs on this set are fair, and differ from the processed teen pop of the late 1990s because of the ever-present sincerity in Dion's voice. Highlights include the elegant ballads "Tellement J'ai D'amour Pour Toi," "Benjamin," and "La Voix Du Bon Dieu"; the shimmering "Avec Toi" and "Du Soleil Au Coeur"; and the anthemic "C'est Pour Vivre."

Collects the original 1974 and 1975 albums from the French orchestra leader, together on one CD! Includes covers of The Carpenters' "Yesterday Once More" and Mikis Theodorakis' "Theme From 'Serpico". French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Oscar Lalo creates an enchanting amalgam of Jazz and Chanson Française. There's a simple, pure and unaffected feeling to this music possessing both a sense of humor and a touch of tenderness. Oscar Lalo creates an enchanting amalgam of Jazz and Chanson Française on his new CD, Un Peu De Toi…

Alan Shorter - Tes Esat (1970) {Universal 067 864-2 rel 2004}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 300 dpi (jpg) -> 66 Mb | 5% repair rar
© 1970, 2004 America Records / EmArcy / Universal Music France | 067 864-2
Jazz / Avant-Garde Jazz / Free Jazz / Trumpet

Unfortunately, Alan Shorter didn't get the chance to lead very many sessions. The limited commercial potential of his music – coupled with a rather unhealthy lifestyle – limited him to only a couple of titles under his own name and a dozen or so as a sideman. Like perhaps Eric Dolphy or Albert Ayler, though, the dates upon which he only played a supporting role still heavily bear his stylistic stamp. On this, the last of his leader dates, Shorter's compositions employ relatively vague stutter-step heads and then quickly dive right into free improvisation without looking back. What follows is free jazz along the lines of many BYG or ESP releases from the same era.