Olivier Robin

Set in contemporary Los Angeles as well as the Los Angeles of the 1940s, Dead Again explores a romance between two star-crossed lovers – and the doomed passion they shared in their last lifetime. Los Angeles detective Mike Church (Kenneth Branagh) comes to the aid of mute, amnesia-victim Grace (Emma Thompson) and falls in love with her. He sets out to discover her true identity and the source of her terrible nightmares. Mike is aided in his investigation by hypnotist/furniture dealer Franklyn Madison (Derek Jacobi) who discovers that in a past life Grace was Margaret Strauss (also played by Thompson), who may have been mudered by her husband Roman (Branagh).

They come from all over Eastern Europe: Russia, Romania, Ukraine. They are Eastern boys.

French soprano Patricia Petibon is known for recordings with ambitious, original programs, spaced several years apart. This is one of her most ambitious, and one of her best, even if some might find it a bit outrageous. Petibon approaches the French art song of the late 19th and 20th centuries from the perspective of popular song, suggesting that the boundary is blurry (noncontroversial in itself), and adding a few songs by Léo Ferré, the vastly underrated older contemporary of Jacques Brel. Where things start to get wild is not with the inclusion of popular songs, or even with the heavy emphasis on the music-hall rhythms of songs going back as far as Gabriel Fauré.