Olympic Stadium

Live at Rome Olympic Stadium was filmed on 6th July 2013 in front of a capacity audience of over 60,000. The three school friends from Devon take the audience on a mesmerizing journey using pyrotechnics, expansive digital screens and a troop of actors to accompany their epic playlist of 13 tracks for the accompanying audio tracks including hits from their most recent studio album The 2nd Law, as well as classics such as Uprising, Supermassive Black Hole, Time Is Running Out, Starlight and Plug-In Baby.

Montreal's Olympic Stadium was an ambitious engineering project with a striking Space Age design, but it's distinctive roof has caused over one billion dollars in cost overruns; experts reveal what went wrong and how cutting-edge science can fix it.

Legendary performance from the Montreal Forum, Canada Includes the entire King Biscuit Flower Hour Radio broadcast Digitally remastered for greatly enhanced sound quality Background liners David Bowie s sold-out 1983 tour, Serious Moonlight, was the biggest of his career to this point. Bowie embarked upon the tour to promote his 15th studio album Let s Dance, produced by music maestro and Chic guitarist, Nile Rodgers.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Spanning fifty-three movies and forty-one editions of the Olympic Games, 100 Years of Olympic Films: 1912–2012 is the culmination of a monumental, award-winning archival project encompassing dozens of new restorations by the International Olympic Committee.

Spanning fifty-three movies and forty-one editions of the Olympic Games, 100 Years of Olympic Films: 1912–2012 is the culmination of a monumental, award-winning archival project encompassing dozens of new restorations by the International Olympic Committee.