In the multitude of Basie recordings out there, I was glad to find this one remastered on CD, because it ranks right up there among my favorites from the band. (Also because my LP-to-CD dub came out with poor fidelity.)
The 1963 Basie lineup was impressive. Some familiar names: Snooky Young, Sonny Cohn, Al Aarons, and Don Rader on trumpet; Urbie Green on trombone; and a sax section consisting of Marshall Royal, Eric Dixon, Frank Wess, Frank Foster, and Charlie Fowlkes (wow!). Sonny Payne was on drums, and Freddie Greene provided rhythm guitar, as usual. All the arrangements were done by Billy Byers. ~ Amazon
In 1964, Count Basie handed the reins of his band over to composer and arranger Billy Byers, purportedly to modernize his sound to the times. More accurately, Byers energized the band with his bright charts loaded with counterpointed exchanges and interplay, plus a depth and density the Basie band had long since relinquished to other similarly sized groups. With stellar personnel - including Eric Dixon, Frank Foster, Frank Wess, Marshall Royal, Al Aarons, and Don Rader - Byers and Basie stoked the coals of the band with some red hot bop and intricate charts atypical to the laid-back approach that always served the band and its fans well. The upbeat tracks, the roaring "Basie Land," hard charging "Rabble Rouser" and the tumbling melody of "Gymnastics" are particularly noticeable, as the horns jump in and out of unison…
Other than a couple of albums for tiny collector's labels, this Muse album was Al Cohn's first album as a leader since 1962. Cohn had spent much of the interim as a full-time writer for studios and was finally returning to active playing. He renewed his musical partnership with Zoot Sims on this quintet date for Muse, which also includes pianist Jaki Byard, bassist George Duvivier and drummer Mel Lewis…
In the history of jazz music, there is only one bandleader that has the distinction of having his orchestra still performing sold out concerts all over the world. The work, with members personally chosen by him, for over 30 years after his passing. Pianist and bandleader William James “Count” Basie was and still is an American institution that personifies the grandeur and the excellence of jazz. The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards, performed for Kings, Queens, and other world royalty, appeared in several movies, television shows, at every major jazz festival and major concert hall in the world.
In the history of jazz music, there is only one bandleader that has the distinction of having his orchestra still performing sold out concerts all over the world. The work, with members personally chosen by him, for over 30 years after his passing. Pianist and bandleader William James “Count” Basie was and still is an American institution that personifies the grandeur and the excellence of jazz. The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards, performed for Kings, Queens, and other world royalty, appeared in several movies, television shows, at every major jazz festival and major concert hall in the world.
With the Compact Jazz series offering plenty of fine single-artist starter discs, there should be no hesitation in picking up this multi-artist overview for that jazz neophyte friend. As usual, the price is right and the selection generous. Covering the '50s, '60s, and '70s, the disc includes both vocal and instrumental tracks from the likes of Sarah Vaughan, Bill Evans, Dinah Washington, Erroll Garner, Stan Getz, Ella Fitzgerald, and Billie Holiday.