Open .cbr

Since Full Moon Fever was an unqualified commercial and critical success, perhaps it made sense that Tom Petty chose to follow its shiny formula when he reunited with the Heartbreakers for its follow-up, Into the Great Wide Open…

As you can expect from an album the title song should be a highlight. Not true in every case - but this time by all means. When listening to Wide Open N-Way you're first immediately forced to believe that this is an american westcoast psych band. Accent-free vocals and a very cool straightforward sound with acoustic guitar. But then they are showing another second sight right away with a weird piano and guitar echoes dominated krautrocked interlude…

Iona's seventh album brings more of their patented progressive layered instrumentals and ambient respites, both seasoned by uilleann pipes, whistles, and other folk instruments. Unlike previous albums, however, Open Sky's instrumental passages possess more drive and body than before…

As a defining point of the U.K. psychedelic/progressive rock crossover, the Open Mind's sole album is the perfect specimen. With a singing style rooted in the freakbeat era, rather than the operatic tenor screams hard rock ushered in, and acidic duel guitars, heavier than those of a typical psychedelic act, The Open Mind filled the gap between the beginning of one era and the end of another. "Magic Potion" is unarguably their greatest moment. Its monotonous rhythm guitar anticipates the stoner rock of Hawkind while double bass drum fills and doom-laden fuzz guitar ragas combine bombastic rock power with Eastern-influenced psychedelia. Magnificent! "Girl, I'm So Alone" - a remake of early Open Mind lineup, mod band the Drag Set's "Get out of My Way" - harks back to a 1967 feel, as do a number of other songs that show the band being not quite as progressive as they intended…

Open Your Eyes is the seventeenth studio album by the English rock band Yes, released in November 1997 by Eagle Records in the UK and by Beyond Music in the US. Following the departure of keyboardist Rick Wakeman and the addition of guitarist, keyboardist, and producer Billy Sherwood in 1997, Sherwood and bassist Chris Squire started to develop songs for an album by their own band, Conspiracy. They caught the attention of their new management who suggested to use some of their material for a new Yes studio album…