With “Il trionfo della morte” by Bonaventuro Aliotti from 1677, the French ensemble Les Travers es Baroque presents an important example of an early oratorio. The form of the oratorio developed after the Catholic Church in the Council of Trent (1545-1563) severely restricted the use of music in church services. Some religious congregations then began to perform new forms of music in their prayer and assembly rooms, the “oratorios”.
Porpora: Christmas Oratorio - Il verbo in carne is the new album from the sensational Kammerorchester Basel which rediscovers the exceptional Christmas oratorio which made it’s premiere 271 years ago. Under the direction of Riccardo Minasi, the Kammerorchester Basel—alongside excellent singers Terry Wey, Martin Vanberg and Roberta Invernizzi—shine light on this beautiful masterpiece from the Neapolitan School which was first heard in 1947. This recording showcases the most outstanding parts of the Christmas oratorio. This oratorio tells the story of Christmas through the use of unique allegorical figures. These are Peace, humanity, Justice and Truth. The Kammerorchester Basel is one of the worlds leading chamber orchestras with a worldwide presence.
It was a sensational find in many respects when Gunar Letzbor discovered the Passion by the composer and Augustinian canon Franz Joseph Aumann in the archives of St Florian's Abbey (near Linz, Austria) and other monasteries.
Wadada Leo Smith´s latest album features "Rosa Parks: Pure Love. An Oratorio of Seven Songs,"another extended composition by Smith inspired by the civil rights movement in the United States. This new major work is composed for the iconic civil rights hero Rosa Parks (1913-2005) and performed by three vocalists, a double-quartet and a drummer with electronics. The album is released in February 2019 to celebrate Rosa Parks´ birthday on February 4.
Paul McCartney was commissioned by the Royal Liverpool Philharmonic Orchestra to compose a work to mark its 150th anniversary and collaborated with composer/conductor Carl Davis on this 90-minute classical piece, which features soloists Kiri Te Kanawa and Jerry Hadley in a vaguely autobiographical story of a Liverpudlian named Shanty…