Long before "New Age" and "World Music" became part of the musical-term language, Oregon was making music that would influence (directly or indirectly) those genres. During the early 1970s, the much-maligned fusion movement in jazz was building up steam, and Oregon, in their quiet, understated way, contributed greatly. The band played acoustically–all the players had jazz backgrounds as well as a strong interest in ethnic musics from around the globe.
Essential: a masterpiece of Jazz-Fusion music
One of the most elegant and smooth jazz albums I ever heard Oregon jazz band from USA, created a very unique album in my opinion with a lots of unusual instruments for this kind of music, like Sitar, Tabla, Flugelhorn and Oboe and give a new dimension to the jazz music.
Ren Woods was born in Portland, Oregon, and became a child singing prodigy, appearing on NBC's Soul Special at the age of 10. Shortly thereafter "Sundays Child" her pre-teen 3 girl group soared to fame. Woods then starred in the first National Tour of The Wiz. In 1979, Woods released a solo album entitled "Out of the Woods", which was supposed to be produced by Maurice White, however, due to the label being in transition, it was produced by Earth, Wind & Fire member Al McKay.
Written and recorded between 1972 and 1982 in Western Oregon, Back to the Woodlands is a previously unreleased album made by Ernest Hood. CD edition also includes its contemporary Where the Woods Begin.
Formed in 2006, TROGLODYTE draws musical influences from the likes of CARCASS, OBITUARY and ORIGIN also finding inspiration from 70's drive-in horror fare such as THE LEGEND OF BOGGY CREEK, THE PIT and NIGHT OF THE DEMON. The band has craved/slashed out it's own niche as the world's first (and only) Bigfoot death-metal band.