Oriental

The Turkish musician Okay Temiz introduces one of his many musical expressions with jazz influenced by world music on this album. OKAY TEMIZ is considered the most important Turkish jazz musician, who worked together with musicians like Don Cherry or Bobo Stenson in the seventies. OKAY TEMIZ settled in Sweden, joined the Turkish-Swedish band SEVDA, which was very popular throughout Scandinavia, and eventually formed his own band ORIENTAL WIND, which will soon be available in two different editions, one "Swedish" and one "Swedish". Turkish ", gave. In retrospect, TEMIZ ventured with this tape first cautious steps on a new ground, which was explored much later in detail: The starting point of this ethno-jazz, which was then not so titled, was jazz; The inclusion of unusual meters (Turkish or generally Arabic) was subordinated to the jazz aspect.

The Oriental Jazz Project presents its new album "Proche Orience". Here are four musicians of the new generation of European Jazz, who are not afraid to mix Arab-Andalusian, and world music with modern jazz, to offer us an organic and sophisticated universe, resolutely modern… Created by the belgian-moroccan pianist Marie Fikry, the oriental Jazz project offers a repertoire of original compositions that creates a dialogue between Europe and North Africa. The oriental percussion occupies a key place as a soloist, while the piano, echoes like a Oud instrument, which offer the Oriental touch to the project.

Miles Davis Quintet - Live At The Oriental Theatre 1966 (2010) {2CD Set Sunburn 9339880}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 519 Mb | MP3 @320 -> 217 Mb
Full Artwork @ 600 dpi (png) -> 412 Mb | 5% repair rar
© 1966, 2010 Sunburn | 9339880
Jazz / Hard Bop / Modal Music / Trumpet

This release contains a complete previously unissued concert by the 1966 Miles Davis Quintet. Recorded at the impressing Oriental Theatre in Portland shortly before it was demolished, it presents the only existing testimony of bassist Richard Davis playing with Miles. Among its many highlights are many great trumpet solos by Miles, including his only existing version of "Who Can I Turn To ?" a free jazzoriented So What, and a beautiful reading of My Funny Valentine.