Origin C

The tune known as 'La Folia' has fascinated many composers since the seventeenth century. Portuguese in origin, the word means 'mad' or 'empty-headed' and until the 1670s it indicated a fast and noisy dance in which the participants seemed to be 'out of their minds'. By the end of the century a new, slower form had developed which threw the accent from the first beat on to the second every other bar and slightly adjusted the harmonic structure to form the perfect symmetry which inspired Corelli to use it in the twelfth of his Violin Sonatas, Op 5. That famous work further inspired Vivaldi, C P E Bach, Alessandro Scarlatti and other composers to write variations on 'La Folia'—including even Rachmaninov (though his 'Variations on a theme of Corelli' seem to indicate that he thought the tune was by that composer).

The tune known as 'La Folia' has fascinated many composers since the seventeenth century. Portuguese in origin, the word means 'mad' or 'empty-headed' and until the 1670s it indicated a fast and noisy dance in which the participants seemed to be 'out of their minds'. By the end of the century a new, slower form had developed which threw the accent from the first beat on to the second every other bar and slightly adjusted the harmonic structure to form the perfect symmetry which inspired Corelli to use it in the twelfth of his Violin Sonatas, Op 5. That famous work further inspired Vivaldi, C P E Bach, Alessandro Scarlatti and other composers to write variations on 'La Folia'—including even Rachmaninov (though his 'Variations on a theme of Corelli' seem to indicate that he thought the tune was by that composer).

Composer and saxophonist Amit Friedman positions himself as one of today's leading jazz musicians in Israel. Friedman's compositions, combining sophistication and simplicity that communicate to all listeners, his unique arrangements and renowned playing, have captured a wide and varied audience of devoted jazz fans. The music, while loyal to the jazz tradition, fuses within it elements of world music with a special emphasis on Middle Eastern music. In the Sextet's debut album one can hear all the members of the band shine as soloists as well as a cohesive, mature and energetic ensemble that makes music with a flair and spirit of celebration and love of life.

Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.

While looking through songbooks of traditional Galician music, Spanish saxophonist Xose Miguelez happened upon a recording by the ethnic musicologist Dorothé Schubart of a ballad, sung by his own Great-Aunt Amparo almost 40 years ago in Cerdedelo-Laza, a beautiful village hidden in the Galician hills. All of the compositions on "Ontology" come from a four-note motif at the beginning of that ballad. The idea came from Kansas City saxophonist Matt Otto, a friend and mentor to Xose and the producer of this recording. Though through the sounds of this dynamic, modern jazz quartet it may be difficult to discern the four-note motif, it is the very root and inspiration of this work. Listen to the end to hear Great-Aunt Amparo sing her song.