Ornette Coleman Twins

Rhino's 2018 box The Atlantic Years offers new vinyl pressings of Ornette Coleman's Atlantic discography. This isn't limited to the nine albums that were recorded between 1959 and 1961 then parceled out on LP between 1959 and 1975 (which is the date when To Whom Who Keeps a Record finally hit the stores, following the comps The Art of Improvisers and Twins to market): the unreleased material gathered on Rhino's definitive 1995 box Beauty Is a Rare Thing is here as a bonus LP dubbed The Ornette Coleman Legacy…

Ornette Coleman - Twins (2008) {Atlantic–Water ‎water218 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 266 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1959-61, 2008 Atlantic / Water | water218
Jazz / Avant-Garde Jazz / Alto Saxophone

A key album for any fan of classic Ornette Coleman – a 1971 Atlantic release that pulled together tracks from the late 50's and early 60's that didn't make it onto Ornette's earlier records for the label! Why these tracks weren't released at the time is a mystery to all, because the material is great, and ranks with some of his best stuff – and over the years, the value of the album has grown even more within the early Ornette oeuvre – as it contains key tracks that have come to define his edgiest moments of the early 60s.

Ornette Coleman - Beauty Is a Rare Thing: The Complete Atlantic Recordings (1993) {6CD Box Set Rhino R2 71410 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb | MP3 @320 -> 998 Mb
Full Artwork @ 300 dpi (jpg) -> 105 Mb | 5% repair rar
© 1959-61, 1993 Atlantic / Rhino | R2 71410
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

While it's true this set has been given the highest rating AMG awards, it comes with a qualifier: the rating is for the music and the package, not necessarily the presentation. Presentation is a compiler's nightmare in the case of artists like John Coltrane and Ornette Coleman, who recorded often and at different times and had most of their recordings issued from the wealth of material available at the time a record was needed rather than culling an album from a particular session.