Osnabruck

Neither Josef Bohuslav Foerster's Third Symphony of 1894 nor his Fourth Symphony of 1924 could be considered ahead of their time. Indeed, they are barely of their time. His Third has much of heroic middle period Dvorák and Brahms in it while his Fourth, the "Easter Eve" symphony, mixes the weight of late Bruckner with the expressivity of middle period Mahler. But whatever their time, they could and should be considered as vital works in their own right written by a talented, sincere, and distinctive composer.

Josef Bohuslav Foerster's life spanned almost an entire century. In the year of his birth, Wagner laid the axe to the roots of tonality with "Tristan"; shortly after his death, Boulez did the rest… Hermann Bäumer and the Osnabrück Symphony Orchestra have documented Foerster's symphonic output on three albums. This commendable edition shows a master who was highly respected during his lifetime and who remained true to himself through all the upheavals. Raised in Prague, Foerster spent many years in Hamburg and Vienna and only returned to his homeland after the founding of Czechoslovakia in 1918. Tchaikovsky, Dvorak, and Grieg encouraged him in his younger years, and later Gustav Mahler sought his advice.

Cpo has finally found the composer who should actually be their house composer: Christian Westerhoff from Osnabrück. This Mozart contemporary was the son of an Osnabrück town musician and very soon found a post as a violinist and double bassist at the closest court chapel. On this recording of orchestral works the young clarinettist Sebastian Manz performs alongside Albrecht Holder on bassoon. They are accompanied by the Osnabrück Symphony Orchestra.

When he is remembered at all, Josef Bohuslav Foerster is remembered for one of two things: that he was the first person Mahler confided in when he finally figured out how to end his "Resurrection" Symphony in C minor or that he was the composer who wrote the conspicuously Mahlerian "Easter Eve" Symphony in C minor. As this Musikproduktion Dabringhaus und Grimm disc demonstrates, however, there was more to Foerster than that. These world-premiere recordings of the Czech composer's First Symphony in D minor and Second Symphony in F major with Hermann Bäumer leading the Osnabrück Symphony Orchestra show that before he was writing like Mahler, Foerster was writing like Wagner.

Matthias Eisenberg (born 15 January 1956) is a German concert organist and harpsichordist, and a cantor. The award-winning player is known for performing concerts with clarinetist Giora Feidman. He has performed and conducted master classes internationally. He recorded, including the complete organ works by J. S. Bach and improvisations, and has conducted Bach cantatas from the harpsichord in collaboration with the Thomanerchor.

Matthias Eisenberg, born in Dresden in 1956. Piano lessons and at an early age, first attempts on the organ of his home town church in Saxony; played the organ regularly at services there from the age of 9. Intermezzo in the Dresden “Kreuzchor”. Continued studies on the organ, with special emphasis on Bach's organ works.