Ost Shreck

Kulturen der Selbstdarstellung: Ost- und Westdeutsche in Bewerbungsgesprächen eBooks & eLearning

Posted by insetes at Dec. 21, 2023

Kulturen der Selbstdarstellung: Ost- und Westdeutsche in Bewerbungsgesprächen By Friederike Kern (auth.)
2000 | 241 Pages | ISBN: 3824444208 | PDF | 6 MB

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«USA øst» by Hakon Mielche Audiobooks

Posted by Gelsomino at Sept. 27, 2019

«USA øst» by Hakon Mielche
Dansk | ISBN: 9788726053081 | MP3@64 kbps | 3h 56m | 108.2 MB

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VA - Ost-Kraut! - Progressives aus den DDR-Archiven: Teil 1 (1970-1975) & Teil 2 (1976-1982) (2022) Music

Posted by delpotro at Sept. 16, 2025

VA - Ost-Kraut! - Progressives aus den DDR-Archiven: Teil 1 (1970-1975) & Teil 2 (1976-1982) (2022)
EAC Rip | FLAC (tracks+log+.cue) - 1,82 Gb | MP3 CBR 320 kbps - 665 Mb | 04:50:26
Progressive Rock, Psychedelic Rock, Krautrock | Label: Bear Family Records

OST-KRAUT!: the two-part double CD series - a long overdue addition to our KRAUT! edition - comprehensively documents the history of progressive music in the GDR for the first time with studio and live recordings!

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Metal Gear Solid - Peace Walker OST (2010) Music

Posted by tutul.play at June 13, 2010

The Metal Gear Solid: Peace Walker Original Soundtrack was released on Apr 14, 2010. The soundtrack is primarily composed by Kojima Productions' Kazuma Jinnouchi and Nobuko Toda, while Akihiro Honda provides the orchestral theme and the theme songs, "Heaven's Divide" (performed in English by Donna Burke) and "Koi No Yokushi Ryoku (Love Deterrence)" (performed in Japanese by Nana Mizuki). GEM Impact's Norihiko Hibino, Yoshitaka Suzuki and Takahiro Izutani as well as Soundelux Design Music Group's Todd Haberman and Jeremy Soule also provide compositions to the soundtrack.

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James Horner - Red Heat Soundtrack (Score, OST) (1988) Music

Posted by gelbwurst666 at Nov. 29, 2009

James Horner - Red Heat Soundtrack (Score, OST) (1988)
MP3 | 320 kbps CBR | Stereo 44 kHz | Booklet & Covers 300 dpi | 113 MB
Genre: Soundtrack (OST), Score, Instrumental

Original Review
Red Heat is quite possible the most peculiar score James Horner has ever written, drawing on influences as diverse as Russian Opera and Starsky and Hutch. The Main and End Titles are probably the best cues on the album: strong, string and percussion based marches (with an element of Glory in there somewhere) with a mixed-voice choir singing in Russian over the music. The effect is rather unusual, but works well in the context of the film. Russian Streets is an interesting action cue, using what I can only assume to be a balalaika to add an eastern touch to standard action fare: dissonant chords on strings, blaring trumpets, an extremely rapid percussion element and tolling bells and a glissando. This then goes into Cleanhead Bust, which starts off rather well: a funky disco beat and a solo saxophone with different synth sound effects here and there, (…)

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