Ottensamer

Austrian clarinettist Andreas Ottensamer has joined forces with Chinese pianist Yuja Wang to record an album of works by composers of the Romantic era. Blue Hour features some of the jewels of the repertoire, including Brahms’s Intermezzo in A major, Mendelssohn’s Songs without Words – arranged for clarinet and piano by Ottensamer – and Weber’s virtuosic Grand Duo concertant. The album reveals Ottensamer to be not just a sensitive and responsive chamber partner, but also a brilliant soloist, as he gives a dazzling performance of Weber’s First Clarinet Concerto, recorded with the Berliner Philharmoniker and Mariss Jansons.

The four works on this album, all composed in the 1940s, embrace the lingering end of one musical tradition and the vigorous upsurge of another. Mellifluous, retrospective and playful, the Duet Concertino and Prelude to Capriccio were works of Richard Strauss’s Indian Summer – an old man’s refuge from the barbarism of war and its aftermath. What the public thought of them was incidental, even irrelevant. In the same decade, Aaron Copland and other younger American composers were reaching out, via radio, recordings and film, to a new mass audience. The European influence of Appalachian Spring and the Clarinet Concerto, though inescapable, was minimised in a populist, vernacular idiom that absorbed native folk music and jazz.

Pianist Yuja Wang, clarinettist Andreas Ottensamer and cellist Gautier Capu‡on have earned a reputation as a "super-trio", having given performances worldwide that reveal the instinctive, almost telepathic bond of musical communication that exists between the three players. Works by Sergei Rachmaninoff & Johannes Brahms includes visionary interpretations of Rachmaninoff's Cello Sonata Op. 19, Brahms's Cello Sonata No.1 Op. 38 and the same composer's Trio for piano, clarinet and cello Op. 14.

Spohr wrote 15 violin concertos, the first completed in 1803 and the last in 1844. The best known of these is probably No. 8, which incorporates an operatic element. Other concertos include two double violin concertos and four concertos for clarinet. The latter are an important and popular part of solo clarinet repertoire and were written for the clarinettist Johann Simon Hermstedt.

Spohr wrote 15 violin concertos, the first completed in 1803 and the last in 1844. The best known of these is probably No. 8, which incorporates an operatic element. Other concertos include two double violin concertos and four concertos for clarinet. The latter are an important and popular part of solo clarinet repertoire and were written for the clarinettist Johann Simon Hermstedt.

Starting from the magisterial trios of Beethoven and Brahms, clarinetist Daniel Ottensamer, cellist Stephan Koncz and pianist Christoph Traxler began a journey to explore the influences these works exerted on other composers. As they moved further and further away from their point of departure, their search took them through several centuries and across every continent and their project burgeoned into a comprehensive anthology. “Our initial idea was to juxtapose these mainstream works with contemporary pieces, but our work on this project eventually got so out of hand that there was no end to the works that we discovered for our ensemble,” Koncz explains. “In all of them the tonal variety of the clarinet and the interplay between the three instruments is explored in completely different ways.”