This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!
This is a specially priced, two-CDs-for-the-price-of-one photo-cube set, loaded with great stuff from Charlie Musselwhite, Koko Taylor, Lonnie Brooks, Johnny Winter, Billy Boy Arnold, Lonnie Mack, and a host of others who have trotted their wares on the label over the years. Besides giving the novice one great introduction to the label (as the music runs from traditional to modern), the big bonus here is a treasure trove of previously unissued tracks from Roy Buchanan (a chaotic version of Link Wray's "Jack the Ripper"); Floyd Dixon (a recut of his Blues Brothers-approved hit "Hey Bartender"); Albert Collins and Johnny Copeland in a marvelous outtake from the Showdown! album ("Something to Remember You By"); and the band that started it all, Hound Dog Taylor & the Houserockers, with a crazed version of Elmore James' "Look on Yonder's Wall," as sloppy as it is cool. Very good stuff.
Like Omigod! The 80s Pop Culture Box (Totally) is a seven-disc, 142-track box set of popular music hits of the 1980s. Released by Rhino Records in 2002, the box set was based on the success of Have a Nice Decade: The 70s Pop Culture Box, Rhino's box set covering the 1970s. Like Omigod! includes a 90-page booklet of cultural comment, a timeline for the decade, and liner notes for the tracks included in the set. As does Have a Nice Decade, the tracks tend to be from the lesser-known artists who were one-hit wonders, although music from the best-selling artists of the era are also included. In addition, many of the 1980s musical styles — rock, pop, country pop, new wave, funk, disco and rhythm and blues — are represented.
It's more mixing of stylized punk revival and hybridism with left-field musical experimentation and in-the-now pop culture lyrical references on Splinter, the Offspring's seventh full-length. "Never Gonna Find Me," "Long Way Home," and "Lightning Rod" each bristle with overdriven guitars and Dexter Holland's high-pitched bleating; they're somewhat workmanlike, but still roil with that precision fury particular to a veteran band. At the same time, Holland, guitarist Noodles, and bassist Greg Kriesel can't resist returning to the towel-slapping trash humor and mean-spirited loathing that typified past tracks like "Pretty Fly (For a White Guy)" and "Self Esteem." Lead single "Hit That" talks up baby daddies over a bopping bassline and keyboard right out of a Bloodhound Gang track, while "Spare Me the Details" subverts its lighthearted acoustic strum with foul-mouthed (on the clean version, anyway) attacks on a philandering girlfriend ("I'm not the one who acted like a ho"). "Da Hui" overdrives surf rock while paying homage to hardcore Hawaiian board riders, and "When You're in Prison" ends Splinter with sage advice about protecting your dignity in the clink.
MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)
MF-Music label specializes in audio files very special box set ambitiously prepared in 2014.
Best mandatory title with a total of 27 kinds of hanjeongban 30 albums, including a new album consisting of three kinds of audio files. The Complete Audiophile Collection Hi-End Super CD Master (30CDs Box Set) (Limited Edition)
It's more mixing of stylized punk revival and hybridism with left-field musical experimentation and in-the-now pop culture lyrical references on Splinter, the Offspring's seventh full-length. "Never Gonna Find Me," "Long Way Home," and "Lightning Rod" each bristle with overdriven guitars and Dexter Holland's high-pitched bleating; they're somewhat workmanlike, but still roil with that precision fury particular to a veteran band. At the same time, Holland, guitarist Noodles, and bassist Greg Kriesel can't resist returning to the towel-slapping trash humor and mean-spirited loathing that typified past tracks like "Pretty Fly (For a White Guy)" and "Self Esteem." Lead single "Hit That" talks up baby daddies over a bopping bassline and keyboard right out of a Bloodhound Gang track, while "Spare Me the Details" subverts its lighthearted acoustic strum with foul-mouthed (on the clean version, anyway) attacks on a philandering girlfriend ("I'm not the one who acted like a ho"). "Da Hui" overdrives surf rock while paying homage to hardcore Hawaiian board riders, and "When You're in Prison" ends Splinter with sage advice about protecting your dignity in the clink.