Seiji Ozawa was the first Asian conductor to rise to international stardom. After his Koussivitzky Prize at Tanglewood, he honed his skills as assistant to Leonard Bernstein in New York and Herbert von Karajan in Berlin. Directorships of the Nissei Theatre in Tokyo, the Toronto Symphony Orchestra, the Tanglewood Festival, the Boston Symphony Orchestra and the Vienna State Opera followed. In 2016 he withdrew from the international scene to Japan, dedicating his time to the Mito Chamber Orchestra and to teaching.
Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
The 2nd of September 2010 marks Maestro Seiji Ozawa’s 75th birthday.
This new 11-CD set presents Seiji Ozawa in a wide variety of symphonic repertory with the orchestra’s with which he has been most closely associated since the early 1970s – from the San Francisco Symphony in 1972 in a programme of music centred round Romeo and Juliet, through his twenty-nine years at the Boston Symphony, to the Vienna and Berlin Philharmonics and the Saito Kinen Orchestra in Japan – a celebration of a truly international Maestro.
A rewarding release… As to the Mandarin, first impressions suggest a gloved fist on Ozawa's part and a general softening of attack since [his earlier DG recording from] 1975… Ozawa is strong on sensuality - those all-pervading glissandos, the seduction games and the languidly teasing sequences that lead to the chase… As to the Concerto for Orchestra…the Bostonians' Bartókian pedigree - it was, after all, Koussevitzky who commissioned the work — guarantees a certain élan and refinement… Ozawa is best where the going gets frantic (his finale is terrific, especially at the outset, and he plays Bartok's more concise original ending)… Ozawa's virtues are intelligence, alertness and a fine ear for detail… (Gramophone [8/1995] reviewing the Bartók recordings, originally released as Philips 442783)
The 2nd of September 2010 marks Maestro Seiji Ozawa’s 75th birthday. This new 11-CD set presents Seiji Ozawa in a wide variety of symphonic repertory with the orchestra’s with which he has been most closely associated since the early 1970s – from the San Francisco Symphony in 1972 in a programme of music centred round Romeo and Juliet, through his twenty-nine years at the Boston Symphony, to the Vienna and Berlin Philharmonics and the Saito Kinen Orchestra in Japan – a celebration of a truly international Maestro.
OZAWA around the world Beiju commemorative special project Seiji Ozawa, the maestro who has dominated the world's musical circles, will reach the age of 88 on September 1, 2023.
To commemorate his birthday, Seiji Ozawa has released a box set of all the albums he left for RCA and Columbia Records as a Japanese original project.It is a compilation of many famous performances with famous orchestras around the world, including the Boston Symphony Orchestra, New York Philharmonic, Chicago Symphony Orchestra, London Symphony Orchestra, Berlin Philharmonic, Saito Kinen Orchestra, and Mito Chamber Orchestra. As a bonus disc, the live concert in Japan with the Boston Symphony Orchestra in 1986 is released on CD for the first time. We praise the achievements of Maestro OZAWA.
OZAWA around the world Beiju commemorative special project Seiji Ozawa, the maestro who has dominated the world's musical circles, will reach the age of 88 on September 1, 2023.
To commemorate his birthday, Seiji Ozawa has released a box set of all the albums he left for RCA and Columbia Records as a Japanese original project.It is a compilation of many famous performances with famous orchestras around the world, including the Boston Symphony Orchestra, New York Philharmonic, Chicago Symphony Orchestra, London Symphony Orchestra, Berlin Philharmonic, Saito Kinen Orchestra, and Mito Chamber Orchestra. As a bonus disc, the live concert in Japan with the Boston Symphony Orchestra in 1986 is released on CD for the first time. We praise the achievements of Maestro OZAWA.
The Greek-born Dimitri Mitropoulos (1896–1960) was incredibly gifted – his photographic memory allowed him to conduct without a score in concert and also in rehearsal! After studies in Athens, Brussels and Berlin, he took various posts in Greece. In 1930, Mitropoulos played the solo part in Prokofiev’s Piano Concerto No.3 with the Berlin Philharmonic and conducted the work from the keyboard, becoming the first modern musician to do so. He made his US debut in 1936 and went on to become principal conductor of the Minneapolis Symphony Orchestra (1937–1949) and then music director of the New York Philharmonic (1951–1957), where he was eventually succeeded by Leonard Bernstein. He expanded the repertoire of the NYPO and championed Mahler’s symphonies in particular.