During the 1970s, Roy Eldridge had a regular gig at Jimmy Ryan's in New York playing music that fell between swing and Dixieland. For this Pablo LP, he sought to play a program with his regular group (Joe Muranyi on clarinet and soprano, trombonist Bobby Pratt, pianist Dick Katz, bassist Major Holley and drummer Eddie Locke) that, although recorded in the studio, would sound like one of the Jimmy Ryan sets. So, in addition to such standards as "Between the Devil and the Deep Blue Sea" and "All of Me," Eldridge also performs (and takes occasional vocals on) some older tunes like "St. James Infirmary," "Beale Street Blues" and "Bourbon Street Parade." The music is quite joyful and spirited, with Eldridge in exuberant form.
Trumpeter Freddie Hubbard met the Pablo All-Stars for this unique and frequently exciting set. Inspired by the presence of pianist Oscar Peterson, guitarist Joe Pass, bassist Niels-Henning Orsted Pedersen and drummer Martin Drew, Hubbard stretches out on five numbers which include "All Blues," his own "Thermo" and "Portrait Of Jenny." A combative player, Hubbard both challenges and is challenged by the remarkable pianist; pity they did not record together more often.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.
Official deluxe edition, made with full approval of the original compliers. The original 1979 Greensleeves ‘Original Rockers’ compilation was instrumental in bringing the music of Augustus Pablo to an international audience and with this 23 track set we pay tribute to that landmark release with a crucial selection of further cuts of the original albums classic rhythms including some rare sides making their album debut.
Trumpeter Freddie Hubbard met the Pablo All-Stars for this unique and frequently exciting set. Inspired by the presence of pianist Oscar Peterson, guitarist Joe Pass, bassist Niels-Henning Orsted Pedersen and drummer Martin Drew, Hubbard stretches out on five numbers which include "All Blues," his own "Thermo" and "Portrait Of Jenny." A combative player, Hubbard both challenges and is challenged by the remarkable pianist; pity they did not record together more often. This stimulating CD is a reissue of the original LP.
This whopping 30-CD box set gathers together the best of Trojan's three-disc box set series. Included are the Ska, DJ, Dub, Instrumentals, Jamaican Superstars, Lovers, Producer Series, Rocksteady, Roots, and Tribute to Bob Marley volumes, each of which can be found under Trojan Box Set for their individual reviews. What's lacking here is a booklet with additional notes and information; the bulk seems to demand some extra coverage and care, yet all that's here are the original notes of each volume – only as much text as can fit on the back of the CD sleeves. From a music standpoint, however, this box is excellent; a truly diverse and comprehensive collection. Of the 500 songs, less than ten reappear on another volume, so you get a more-than-satisfying amount of music spanning the history of the Trojan label.
During four marathon recording sessions in 1953-55, Norman Granz recorded Art Tatum playing 119 standards, enough music for a dozen LPs. The results have been recently reissued separately on eight CDs and on this very full seven-CD box set. Frankly, Tatum did no real advance preparation for this massive project, sticking mosty to concise melodic variations of standards, some of them virtual set pieces formed over the past two decades. Since there are few uptempo performances, the music in this series has a certain sameness after awhile but, heard in small doses, it is quite enjoyable. A special bonus on this box (and not on the individual volumes) are four numbers taken from a 1956 Hollywood Bowl concert.