Paddington na Amazonia

LOVE HARVESTS IN SUMMER seems to anticipate 4 years the wrongful intrusion of the soviet tanks. And with the style of WEST SIDE STORY, puts music, color and emotion surrounding the born of a mate, first love in a youngs school, quite outdated and square. The movie ends better than "WEST SIDE" and even better than the sad czechoslovakian story. The scenes of the hops harvest to make the famous czech beer, the sky ever blue and all the conflict and debate that emerge in the czech society and inside of each member of the school, could have found an answer, flowering a little late in the so called czech spring.

Young woman comes to Moscow for three days. She has to buy a lot to take back to the village. Then she meets a taxi driver. He realizes he cannot lose this woman. But she comes to understand her feelings only later, when she comes back to her village with new buyings, impressions of Moscow and thoughts about unlived life.

A mosaic of life stories of the residents of a Prague block of flats at a tram-line terminus. A film shot in a semidocumentary style influenced by the Italian Neorealistic movement, focusing on members of a small group of ordinary people, each facing a critical point in life.

When a young street vendor with a grim home life meets a woman on her way to Paris, they forge an instant connection. He changes all the clocks in Taipei to French time; as he watches François Truffaut's "Les 400 Coups," she has a strange encounter with its now-aging star, Jean-Pierre Leaud.

Just twenty five years old, Brazilian cinema novo force Glauber Rocha wrote and directed this impressive feature addressing socio-political problems within his country–and indeed, anywhere it may apply. It is the 1940s, during another drought in the Brazilian sertao, when ranch hand Manuel is fed up with his situation. His boss tries to cheat him of his earnings and Manuel kills him, fleeing with his wife, Rosa. Now an outlaw, Manuel joins up with a self-proclaimed saint who condones violence and preaches disturbing doctrines. It is now Rosa who turns to killing and the two are on the move once again. And so it goes, the two running from one allegience to another, following the words of others as they attempt to find a place in their ruthless land. Blending mysticism, religion, and popular culture in this symbolic and realistic drama, Rocha insists that rather than follow the external and obscure dogmas of culture and religion, man must determine his path by his own voice.

Juuzawa Juu is a delinquent high school boy who just wants to be left alone. One day, he is approached by Ochibana Ame, who claims that she knew him in a previous life, and now wants to serve him as his "knight." At first, Juu wants nothing to do with Ame, but after a classmate is murdered, he accepts her help as he looks for the killer.