Parallels 15

The veteran alto saxman isn't doing gospel music anymore, but the staff at Chesky set Konitz and the other members of his quartet up in the perfect acoustic environment of St. Peter's Church in the Chelsea area of New York City. Sonics aside, this is a solid, though fairly laid-back date which displays the formidable ensemble and solo talents of each member. Drummer Bill Goodwin and acoustic bassist Steve Gilmore provide an increasingly swinging rhythm line for Konitz to dance over on an inventive arrangement of "How Deep Is the Ocean." Guitarist Peter Bernstein adds some subtle Wes Montgomery style harmony lines, but the band plays it close to the vest for most of the tune. Bernstein's crisp improvisational solo section is the highlight…

Colin Marston is an American musician and recording engineer residing in New York City. He runs Menegroth, The Thousand Caves Recording Studio in Queens, New York and has recorded, mixed and mastered artists including Mivos Quartet, Anthony Braxton, Lydia Lunch, Mary Halvorson, Jon Irabagon, Judith Berkson, Oneida/People of the North, Rhys Chatham, Elliott Sharp, Weasel Walter, Peter Evans, John Zorn, Brian Chase, Kid Millions, Mick Barr, M Lamar, Kelly Moran, No Neck Blues Band, Defeated Sanity, Yo La Tengo, Orthrelm, Revenge, Kayo Dot, Jarboe, Origin, Panopticon, Liturgy, Artificial Brain, Pyrrhon, Deiphago and Unearthly Trance as well as his own bands. Marston is a no-less prolific musician and musical innovator. His four most active bands include Behold the Arctopus, Dysrhythmia, Krallice and the 2008 reunion lineup of Gorguts. He is also involved in the more experimental projects Indricothere, Byla, Hathenter, Encenathrakh, Glyptoglossio, Containor, Catatonic Effigy, Mossenek and Overishins.