Pat Metheny: "From the beginning, this band has been on a mission. Throughout the group's history, there has been a sense of potential and an abundance of ideas that have been thrilling to explore. The Way Up is a long form piece that describes in detail many of the most pressing issues in our musical lives. The original recording (2004) was a milestone for us, but the tour that followed allowed us the opportunity to discover the piece in front of audiences around the world over the course of a 6 month tour. This film, shot during the Asian leg of that tour in Seoul, Korea, is an accurate and special documentation of the group at its best, performing The Way Up - Live."
The first Pat Metheny Group recording in five years is a bit unusual in two ways. The band uses "contemporary" pop rhythms on many of their selections but in creative ways and without watering down the popular group's musical identity. In addition Metheny for the first time in his recording career sounds a bit like his early influence Wes Montgomery on a few of the songs. With his longtime sidemen (keyboardist Lyle Mays, bassist Steve Rodby and drummer Paul Wertico) all in top form, Metheny successfully reconciles his quartet's sound with that of the pop music world, using modern technology to expand the possibilities of his own unusual vision of creative improvised music. And as a bonus, some of the melodies are catchy.
Guitarist, composer, and bandleader Pat Metheny is one of the most successful jazz musicians in the world. He is the only artist to win 20 Grammy Awards in 10 different categories. A consummate stylist and risk-taker, his musical signature melds a singular, euphoric sense of harmony with Afro-Latin and Brazilian sounds, rock, funk, global folk musics, and jazz. His 1976 debut, Bright Size Life, and the self-titled Pat Metheny Group two years later resonated with audiences and critics for its euphoric lyricism, dynamics, and rhythmic ideas.
Secret Story is among the more provocative recordings in Pat Metheny's oeuvre. Combining the relaxed groove of the early Pat Metheny Group recordings, it is full of odd sounds, exotic instrumentation, and the participation of members of the London Orchestra conducted by Jeremy Lubbock. Along with regular group members – bassist Steve Rodby, drummer Paul Wertico, percussionist NanĂ¡ Vasconcelos, pianist-keyboardist Lyle Mays – numerous guests adorn these tracks as well: bassists Charlie Haden and Will Lee, percussionist Armando Marcal, vocalist Mark Ledford, jazz harmonica legend Toots Thielmans, Gil Goldstein, and Pat's brother Mike Metheny. But what's most notable is that none of these players are constants, as this is most certainly a Metheny solo effort: Secret Story is his own song, so to speak. His acoustic and electric guitars are augmented by synthesizers and samplers, and no matter how lush these proceedings get, they are never overwhelmed by production.
When this album was released in 1994, it shocked casual, and even some hardcore, Metheny fans. Recorded in one day, Zero Tolerance for Silence can best be described as semi-organized noise…