Pat Metheny

Grammy Award-winning composer-guitarist Pat Metheny s Orchestrion may turn out to be his most talked-about, argued-over undertaking. It s already his most adventurous. With Orchestrion, Metheny redefines the concept of the solo album. He is indeed the only live musician on this recording, but it s the opposite of, say, his 2003 One Quiet Night, in which Metheny hunkered down in his home studio to explore all the musical possibilities of one new guitar. Here he works with an extraordinary set-up of acoustic instruments, assembled for him by a visionary team of inventors. What they have created in collaboration with Metheny is a veritable made-to-order solenoid orchestra that includes, among other things, bass, pianos, percussion, marimbas, guitar-bots, and a mellifluous cabinet of carefully tuned bottles. Using one-of-a-kind software programs and solenoid switches, Metheny controls each instrument via his guitar and an array of pedals. (Source: amazon.com)

This live American concert in 1992 emerged on cd at about the same time as the Geffen release "The road to you" which was culled from PMG's european concerts in the early 90's. While this current selection may not quite equal that release in the quality of the sound, it is a much better live performance overall. There are a couple of small blips in the performance but this is live and taken from one concert. Raw Metheny but edge of your seat performance.

The "Orchestrion" was a 19th century hybrid musical instrument that usually contained a wind orchestra, various percussion instruments, and sometimes a piano played by a pinned cylinder or a music roll. Pat Metheny designed and played his own version of one – thanks to a commissioned group of inventors, advanced solenoid switch technology, and pneumatics on the 2010 album Orchestrion. The guitarist's version combined organic instruments - various pianos, basses, rows of tuned bottles, bells, cymbals, and other percussion, with digital technology – guitarbots (including one modeled on Paolo Angeli's guitar), switches, and more. The Orchestrion Project was recorded following Metheny's world tour with the instrument, wherein he discovered more about the instrument and its capabilities for group interplay in a solo setting.

This unusual compilation from the Kool Jazz at Midem Festival combines parts of three separate sets. The Dave Brubeck Quartet with clarinetist Bill Smith, bassist Chris Brubeck and drummer Randy Jones, has the most interesting program, utilizing an electronic delay along with Smith's clarinet to add a new touch to "Lover Man," offering an energetic version of "Blue Rondo a la Turk" and introducing a recent work by Brubeck, the very swinging "Ol' Bill Basie" which showcases some fine playing by the leader and some choice bass trombone by son Chris. Guitarist Pat Metheny joins the Heath Brothers for "Move To The Groove; " Metheny's bluesy guitar and Jimmy Heath's soulful tenor sax work well together. B. B. King's set is at best average and an odd choice to include on what is predominantly a jazz record.

Pat Metheny - 80/81
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU, RS, FF | 1.63 GB 3% recovery
1980 | Genre: Jazz-fusion | Label: ECM | ECM-2-1180 | US pressing, double LP | Vinyl: M

Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-LP collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes.

(Richard S. Ginell - AllMusic Guide. This album was rated 4.5 out of 5 star)