Pathos

KENSO is from Japan. The music combines a Progressive jazz-rock or a Progressive rock mixed with jazz. The emphasis is on performance and improvisation with complex themes, breaks, elaborated developments and arrangements remind HATFIELD AND THE NORTH and BRAND X. The musicianship is excellent…

Wolfgang Amadeus Mozart - Piano Concertos Nos. 19 & 23
Ronald Brautigam / Die Kölner Akademie / Michael Alexander Willens
SACD ISO (2.0/MCH): 2,30 GB | 24B/88,2kHz Stereo FLAC: 806 MB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-1964 SACD | Country/Year: Sweden 2013, 2012
Genre: Classical | Style: Viennese School, Piano

"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net

Wolfgang Amadeus Mozart - Piano Concertos Nos. 19 & 23
Ronald Brautigam / Die Kölner Akademie / Michael Alexander Willens
EAC+LOG+CUE | FLAC: 211 MB | Full Artwork: 112 MB | 5% Recovery Info
Label/Cat#: BIS # BIS-1964 SACD | Country/Year: Sweden 2013, 2012
Genre: Classical | Style: Viennese School, Piano

"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net

This opera becomes a battle of the divas in its great second act, with Sutherland, as Mary Stuart, pitted against the jealous, paranoid, and vengeful Elizabeth I (Tourangeau). There is an intensely dramatic confrontation in which insults are violently exchanged between the powerful monarch and her imprisoned but still regal rival to the throne. Mary wins the battle of insults, but this is a dangerous victory over one who has the power of life and death. Elizabeth orders Mary's execution and Act III becomes a spectacle of pathos and horror. Sutherland's usual style is more attuned to pathos than to the swapping of insults, but she rises splendidly to the challenges of Act II and she has a splendid supporting cast. (Joe McLellan)

Intimiste et précis, sans pathos ni effets, ce témoignage bouleversant au coeur des attentats de Bruxelles ouvre des pistes de réflexion sur la violence et la mort. …