Patricia Barber, the performer known for boldly blurring the lines between poetry, jazz, and art song, has announced the forthcoming release of a new all-standards album, Clique, due out August 2021 in breathtaking hi-fi. The long-awaited successor to Nightclub, her critically acclaimed and fan-favorite first all-standards album, Clique features a tracklist of tunes that Barber has frequently performed as encores throughout her illustrious career, including classics by Rodgers & Hammerstein, Stevie Wonder, Lee Hazlewood, Lerner & Loewe, Thelonious Monk and more…
Patricia Barber, the performer known for boldly blurring the lines between poetry, jazz, and art song, has announced the forthcoming release of a new all-standards album Clique, due out August 6th in breathtaking hi-fi. The long-awaited successor to Nightclub, her critically acclaimed and fan-favorite first all standards album, Clique features a tracklist of tunes that Barber has frequently performed as encores throughout her illustrious career, including classics by Rodgers & Hammerstein, Stevie Wonder, Lee Hazlewood, Lerner & Loewe, Thelonious Monk and more.
Companion was recorded in a special three-night series of shows in July, 1999 at Chicago's famed Green Mill jazz club — an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album's length — at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Cafe Blue album, there is an ease and creativity on Companion which makes her fans' devotion understandable.
Chicago pianist and vocalist Patricia Barber is making lots of ears burn. Her torch song touch speaks volumes to jazz vocal fanatics, but she has an adventuresome side that speaks likewise to fans of woollier jazz. Barber's vocal delivery is swaggering and burnished, always angling against oddball time signatures and often dropping weird lyrical science. From e.e. cummings poems, Barber moves into prescient observations on our society: "For company in the 21st century," she sings, "I go to the club, talk through the show / I'm so hip there's nothing about jazz / That I don't know." Trumpeter Dave Douglas and guitarist John McLean add a sharp edge, and the Choral Thunder Vocal Choir give Modern Cool soul-drenched dynamics that push the CD into the realm of instant classics.