Paul Check

We've all heard the famous trading mantra - "The Trend is Your Friend". But it is often impractical for traders to be manually scanning a long list of currency pairs to find tradable candidates. Traders need a systematic tool they can use to quickly locate trending pairs. Over the last two years, our senior mentor Frank Paul has vigorously tested and analyzed thousands of different scenarios (timeframes, analyses, and indicator combinations) to perfect a trading methodology which pairs the insight of Market Flow analysis with the convenience of a responsive multi-timeframe momentum indicator, yielding a trading system that is simple, effective and robust.

McCartney II is the second solo studio album by Paul McCartney, and the first since the formation of Wings in 1971. It was released in 1980, a year before the band's dissolution and while their future laid in limbo. The album is a significant departure for McCartney, as much of it relies heavily on synthesisers and studio experimentation.

Those who love rather complex and dynamic sequencer music with an acoustic edge and an occasional high-tech feel should check out the music Paul Ellis' has put down on his amazing album "Last Hiding Place of Beauty". The CD contains four long tracks, all making a powerful, straightforward statement, keenly melting vibrating sequencer patterns, fx's, and a wide range of vintage flavored synthesizer textures such as Mellotron flute. As said previously, the overall structure is rather complex, although lots of space is found within the core of every piece of music. The great interplay between bass grooves, drums, electronic and acoustic instruments is quite mind blowing, especially on the 16-minute title track. The overall outcome is simply breathing the joy of honest electronics more than once.

Back in 1990, Texas songwriter Butch Hancock staged a massive, six-night event entitled No Two Alike, wherein he played six straight evenings at Austin's Cactus Cafe. In the process, he recorded 140 of his own songs without repeating one. He then released the output later on cassette tapes. The reason for citing Hancock in a Paul Kelly review, particularly this one, is simply to establish the only precedent for this wonderful eight-disc live box set, the A to Z Recordings. Between 2004 and 2010, the revered Australian songwriter would perform his now legendary A to Z concerts, during which he would play two (largely) unplugged sets per evening for four nights, performing many of his songs, all in alphabetical order.