Paul Desmond First Place Again

The title of this set by alto saxophonist Paul Desmond refers to his having placed first once again in the alto chair in the Downbeat poll. Released in 1960, First Place Again is the result of an unexpected gathering of the rhythm section of the Modern Jazz Quartet: Percy Heath and Connie Kay, and Jimmy Giuffre 3 guitarist Jim Hall. The four musicians were all unexpectedly at home in New York and took full advantage of cheap, after-hours recording studio time to play out this set of standards and a pair of newer tunes, John Lewis' great blues, "Two Degrees East, Three Degrees West," and "East of the Sun (and West Of The Moon)," from a Princeton University theater work…

The title of this set by alto saxophonist Paul Desmond refers to his having placed first once again in the alto chair in the Downbeat poll. Released in 1959, First Place Again is the result of an unexpected gathering of the rhythm section of the Modern Jazz Quartet: Percy Heath and Connie Kay, and Jimmy Giuffre 3 guitarist Jim Hall. The four musicians were all unexpectedly at home in New York and took full advantage of cheap, after-hours recording studio time to play out this set of standards and a pair of newer tunes, John Lewis' great blues, "Two Degrees East, Three Degrees West," and "East of the Sun (and West Of The Moon)," from a Princeton University theater work…

This is the third and final guest appearance by clarinetist Bill Smith in the place of Paul Desmond with the Dave Brubeck Quartet. Like the earlier record dates, this 1961 session focuses exclusively on Smith's compositions, resulting in a very different sound for the band than its normal mix of the leader's songs and standards. Smith was a member of Brubeck's adventurous octet of the late '40s and, like the pianist, also studied with French composer Darius Milhaud. So the clarinetist is willing to take chances, utilizing a mute on his instrument in "Pan's Pipes," and having drummer Joe Morello use his timpani sticks on the piano strings in the swinging "The Unihorn." Smith proves himself very much in Desmond's league with his witty solos and equally amusing, pun-filled liner notes…

The Dave Brubeck Quartet - Bossa Nova U.S.A. (1962) {Essential Jazz Classics EJC55578 rel 2013}
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© 1962, 2013 Columbia / Essential Jazz Classics | EJC55578
Jazz / Cool / West Coast Jazz / Bossa Nova Jazz / Piano

With the popularization of bossa nova in the early '60s, practically every recording artist had to have at least one bossa nova album. This effort by the Dave Brubeck Quartet is better than most due to the high quality of the compositions, of which the title cut is best-known. The date's two standards ("This Can't Be Love" and "Trolley Song") also fare well on this upbeat session.

Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American college campuses, Paul and Dave's Jazz Interwoven (1954) being the first. Joining Brubeck are Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums), whose support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. "Balcony Rock" commences the platter from sides documented at the University of Michigan in Ann Arbor…

The title of this latest release from bassist Neil Swainson is fitting: HERE FOR A WHILE. Amen to that. At 68, he’s had not just a long career, but a most distinguished and impactful one. In Canada and internationally, a world-class musician.

Contemporary jazz pianist and composer David Benoit has chosen to forgo many of the tropes and methods of working he's employed for the past 30 years on Heroes. Simply put, this is a tribute record to a select group of musicians who have inspired him and shown him a way forward. Before getting to the music, it's worth noting that in his brief liner essay, Benoit spells out that this is by no means a complete list, and points to those he left off for justifiable reasons, which is a nice touch. The music he has chosen stays well within the parameters of contemporary jazz, but lends a deeper focus to Benoit's approach in general. How many recordings are there where you will see tunes by the Doors placed next to those by Clifton Davis, Horace Silver, Dave Brubeck, Dave Grusin, pianist Bill Evans, the Beatles, and the teams of John Bettis and Steve Porcaro, as well as Elton John and Bernie Taupin…