Quiet though it may be, Paul McCartney experienced something of a late-career renaissance with the release of his 1997 album Flaming Pie. With that record, he shook off years of coyness and half-baked ideas and delivered an album that, for whatever its slight flaws, was both ambitious and cohesive, and it started a streak that continued through the driving rock & roll album Run Devil Run and its 2001 follow-up, Driving Rain. For Chaos and Creation in the Backyard, the follow-up to that record, McCartney tried a different tactic, returning to the one-man band aesthetic of his debut album, McCartney, its latter-day sequel, McCartney II, and, to a lesser extent, the home-spun second album, Ram…
Chaos and Creation in the Backyard is an album by Paul McCartney released in 2005. A long time in the making, the set was produced by Radiohead and Beck collaborator Nigel Godrich at George Martin's suggestion.
That 2005's CHAOS & CREATION IN THE BACKYARD arrived as a dramatic return to form for Paul McCartney is something of an oversimplification. The fact is, dodgy orchestral and electronic side projects aside, solo Macca's only true fallow period was the mid-'80s, and the three albums prior to CHAOS were all solid, not un-Beatlesque affairs. That said, it's impossible to deny that this is one of Paul's finest post-Wings releases. He mines Fabs-friendly melodies and arrangements unabashedly (occasionally with tongue firmly in cheek), and who better to do so?
It's rather incredible to ponder the fact that with the release of The McCartney Years in late 2007, Paul McCartney has now been making recordings in various mediums for the better part of 40 years–and that's not even including the decade he spent as a member of the world's greatest band. And while some may quibble about certain details of the content and presentation, this three-disc set, packed with videos, concert footage, interviews, documentaries, and more, will surely satisfy the vast majority of Sir Paul's loyal subjects. The dozens of videos, occupying the first two discs and spanning the years from 1970 ("Maybe I'm Amazed," ten years before the emergence of MTV) to 2005 ("Fine Line"), can be viewed in either chronological order or as programmed by Macca himself. Ranging from straight lip-synced performances to various conceptual films, they are a decidedly mixed bag.
Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…
Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory…