Paul Mccartney Shm cd

Paul & Linda McCartney - RAM (1971) {4 SHM-CD + 1 DVD Box Set Super Deluxe Edition Universal Music Japan 2012}
EAC rip (secure mode) | FLAC(image)+CUE+LOG -> 959 Mb | Full Artwork @ 600 dpi (PNG) -> 2,90 Gb | 5% repair rar
DVD5 -> 1,96 Gb | All Regions | NTSC 16:9 | English (LinearPCM, 2 ch) | ~ 25m | ISO Image | Sub: Japanese
© 2012 MPL / Concord / UM | UCCO-9993
Rock / Soft Rock / Contemporary Rock

Super deluxe edition of "RAM" release from Paul McCartney. All CDs feature remastering in Abbey Road Studio and the high-fidelity SHM-CD format (compatible with standard CD players). This edition consists of 4 discs and a bonus DVD with unreleased videos. CD 1: Ram (original album), CD2: Ram (mono mix), CD3: Thrillington (instrumental version of "Ram"), CD4: bonus contents. Also contains the following bonuses: a card for downloading hi-res tracks included in the disc 1 & 4, a 112-page hardcover book, a sheet with lyrics and illustrations written by Paul, a description written by Paul, a booklet with photos of the ram on the jacket (unreleased, 100 pictures approx.), a 32-page scrapbook, and a photo of Paul.

At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007…

At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles.

Styled as a conspicuous companion piece to Tug of War, Pipes of Peace mirrors its 1982 cousin in many ways: its title track holds up a mirror to its forefather – and, if that weren't enough, Paul McCartney serves up the knowing "Tug of Peace," an almost-electro collage that twists the songs into McCartney II territory – it serves up two showcases for duets with a former Motown star along with a cameo from fusion superstar Stanley Clarke and, most importantly, it is also produced by former Fab Four ringleader George Martin. Some of that production occurred during the sessions for Tug of War, with roughly half of the record culled from outtakes from that album, but Pipes of Peace has a distinctly different feel than its predecessor, seeming fleet, adventurous, and modern, almost as an accidental riposte to the consciously classical Tug of War.

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark.