Paul r, Gray

Limited and numbered edition of 1,500 copies! R&B in DC - Bear Family Records® presents the rise of rhythm 'n' blues in Washington, D.C. - music from the swing era, classic doo-wop of the 1940s and 1950s, rocking rhythm & blues, rock & roll and soul of the early 1960s. Classics such as Love Potion No. 9 (The Clovers), Wedding Bells(The Senators) and Georgianna(Lloyd Price), supplemented by local hits, long-forgotten obscure tunes and sought-after rarities.

Anybody who has cut a standard like "Drift Away" can hardly be called unappreciated, but a hit of that magnitude can tend to overshadow the rest of an artist's career. Such is the case with Dobie Gray, who not only had a huge number five hit with "Drift Away" in 1973, but had a number 11 hit eight years earlier with "The 'In' Crowd." Two big hits, both widely known, which is more than most artists get, and Gray continued to chart throughout the '70s, albeit in the lower reaches of the R&B charts. All of this suggests that Gray was a minor talent, but that's misleading, as Hip-O Select's excellent four-disc box set Drift Away: A Decade of Dobie (1969-1979) proves. Chronicling the music Gray made after "The 'In' Crowd," it illustrates that Gray wasn't just a powerful yet nuanced soul singer, but that he restlessly tried different sounds and styles. The first tracks on this set collect his singles for the L.A. soft pop label White Whale, where he cut versions of Joe South's "Rose Garden" and Paul Williams' "Do You Really Have a Heart" that perfectly fit the label's breezy, lazy style while retaining a soulful edge. After that, it moves to his Drift Away album, recorded for Decca in 1973.

Recorded for the Impulse! label in 1963 and very much underrated since, "Salt and Pepper" is an excellent pairing of tenors Sonny Stitt and Paul Gonsalves. Most of the album has the spontaneous feel of a live jam session where two great musicians pass the night trading licks.

The fourth edition features coverage of cutting edge topics––more advanced CMOS device electronics to include short–channel effects, weak inversion and impact ionization.

UK three CD set. Halcyon Days charts the development of mod friendly beat music across three CDs from the jazzy R&B of Chris Farlowe, Duffy Power with Graham Bond and Zoot Money that opens disc one through horn laden Brit soul from Jimmy James, Geno Washington and The Richard Kent Style, ska from Mickey Finn & The Blue Men, girl group pop from The Chantelles and fuzz drenched freakbeat from The Pretty Things and The Worrying Kynde. Producer Mike Hurst opens his archives allowing us to include freakbeat nuggets from The Australian Playboys, The Human Instinct, The Favourite Sons, Double Feature and The Oscar Bicycle plus orchestrated pop gems from the soulful Truly Smith, psychedelic The Alan Bown!, Swedish mods The Tages and dramatic singing twins Paul & Barry Ryan. First time on CD rarities include British R&B, soul and mod beat tracks from The Athenians, The Fingers, The Candy Dates, Barney J. Barnes & The Intro, Kevin 'King' Lear, Dorian Gray, Barry St. John

UK three CD set. Halcyon Days charts the development of mod friendly beat music across three CDs from the jazzy R&B of Chris Farlowe, Duffy Power with Graham Bond and Zoot Money that opens disc one through horn laden Brit soul from Jimmy James, Geno Washington and The Richard Kent Style, ska from Mickey Finn & The Blue Men, girl group pop from The Chantelles and fuzz drenched freakbeat from The Pretty Things and The Worrying Kynde. Producer Mike Hurst opens his archives allowing us to include freakbeat nuggets from The Australian Playboys, The Human Instinct, The Favourite Sons, Double Feature and The Oscar Bicycle plus orchestrated pop gems from the soulful Truly Smith, psychedelic The Alan Bown!, Swedish mods The Tages and dramatic singing twins Paul & Barry Ryan. First time on CD rarities include British R&B, soul and mod beat tracks from The Athenians, The Fingers, The Candy Dates, Barney J. Barnes & The Intro, Kevin 'King' Lear, Dorian Gray, Barry St. John