Peace Hotel

Lest you miss Theo Bleck-mann and Fumio Yasuda’s attempt to tune in to a bygone era, the vocalist and pianist begin this collection of early-to-mid 20th century German songs with the sound of radio static. The white noise is gone by the end of the second track, Eisler and Brecht’s “Das Deutsche Miserere,” and its absence suggests that the musicians found what they were looking for. But what should we make of what they’ve found? That everything here dates back to the Weimar Republic and the Third Reich is hardly indicative of an exercise in nostalgia. Bleckmann, according to his Web site, is a “Genre-bending, -skipping and -skirting vocalist and composer.” And Yasuda works in both the classical and jazz realms.

In a burst of creative energy, guitarist FRANK HANNON started writing his own batch of songs shortly after TESLA released their album ‘Simplicity.’

Build a real-time Hotel Rooms Booking App using Nextjs , Antd , Tailwind CSS , Mongo DB

The events of 1998 to 2005 in the fraught history of the Arab-Israeli peace process.

Jazz at Lincoln Center opens its 35th concert season in Rose Theater with Wynton Marsalis: The Shanghai Suite, which Wynton Marsalis composed to celebrate the opening of Jazz at Lincoln Center Shanghai, and premiered at that club with the Jazz at Lincoln Center Orchestra on March 16, 2019, amid a two-week tour of mainland China. The Orchestra will interpret Marsalis’ “tone parallel” to the mythology, folklore, cuisine and architecture of the enormous Chinese entrepot and financial hub. Shanghai Suite joins such iconic Marsalis works as Congo Square, Vitoria Suite and Marciac Suite, that refract impressions gleaned on his travels, as Duke Ellington did on such late-period masterpieces as The Far East Suite, The Latin American Suite and The New Orleans Suite.

The intent of Thom Zimny's documentary The Searcher is to showcase the artistry of Elvis Presley, an aspect that can sometimes get overwhelmed by Presley's enduring popularity. Appropriately, its accompanying soundtrack – available either as a single CD/LP or in a triple-disc deluxe edition – follows the same aesthetic, showcasing Elvis as an artist, not a hitmaker. Of course, there are plenty of hits here, especially on the three-CD edition, which contains two discs of Presley recordings and a disc split between Elvis inspirations, selections from the evocative score from Mike McCready, and a version of "Wooden Heart" by Tom Petty & the Heartbreakers.