Peer Gynt Grieg Suites 1 2

Since the release of the first volume, (Piano Concerto and Symphony, BIS-SACD-1191), in February 2003, this series has been gathering the most extravagant praise, both for the committed performances of Ole Kristian Ruud and the Bergen Philharmonic – Grieg's 'own' orchestra – and for the sound quality, which has been held up as a model for all labels making orchestral Surround Sound recordings. With this, the sixth, instalment the turn has come to the Peer Gynt Suites, possibly the best-loved of all Grieg's orchestral music.

Beecham had an exquisite ear for detail, and his Peer Gynt has more fantasy — more subtlety, too — than anyone else's: Ase s Death and Anitra 's Dance are simply magical. So is the Symphonic Dance, and if In Autumn and the variations occasionally seem a litde thin musically, Beecham makes amends with keenness of attack and eloquent phrasing. The orchestra is superb and the transfers (which give us the variations in stereo for the first time), excellent.

Edvard Grieg already had the renowned Piano Concerto and Sigurd Jorsalfar behind him when he was commissioned to write incidental music for a staged version of Henrik Ibsen’s play Peer Gynt. This resulted in some of Grieg’s most famous music, from the Norwegian trolls and hobgoblins of In the Hall of the Mountain King to the movingly simple Solveig’s Song. The suite From Holberg’s Time takes us back to Baroque style and traditions with irresistible melodic charm. Wedding Day at Troldhaugen was a wedding anniversary present for Nina, Grieg’s wife, and the sprightly Norwegian Dances are a precursor to the larger-scale Symphonic Dances (available on VOX-NX-3038CD). These classic VOX recordings by Maurice Abravanel and the Utah Symphony Orchestra were originally issued in 1976 and have been newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

Edvard Grieg already had the renowned Piano Concerto and Sigurd Jorsalfar behind him when he was commissioned to write incidental music for a staged version of Henrik Ibsen’s play Peer Gynt. This resulted in some of Grieg’s most famous music, from the Norwegian trolls and hobgoblins of In the Hall of the Mountain King to the movingly simple Solveig’s Song. The suite From Holberg’s Time takes us back to Baroque style and traditions with irresistible melodic charm. Wedding Day at Troldhaugen was a wedding anniversary present for Nina, Grieg’s wife, and the sprightly Norwegian Dances are a precursor to the larger-scale Symphonic Dances (available on VOX-NX-3038CD). These classic VOX recordings by Maurice Abravanel and the Utah Symphony Orchestra were originally issued in 1976 and have been newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

Edvard Grieg already had the renowned Piano Concerto and Sigurd Jorsalfar behind him when he was commissioned to write incidental music for a staged version of Henrik Ibsen’s play Peer Gynt. This resulted in some of Grieg’s most famous music, from the Norwegian trolls and hobgoblins of In the Hall of the Mountain King to the movingly simple Solveig’s Song. The suite From Holberg’s Time takes us back to Baroque style and traditions with irresistible melodic charm. Wedding Day at Troldhaugen was a wedding anniversary present for Nina, Grieg’s wife, and the sprightly Norwegian Dances are a precursor to the larger-scale Symphonic Dances (available on VOX-NX-3038CD). These classic VOX recordings by Maurice Abravanel and the Utah Symphony Orchestra were originally issued in 1976 and have been newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.