Peewee

Dead Or Alive - Still Spinnin' (The Singles Collection 1983 - 2021) (2024) Music

Posted by Rtax at March 14, 2024

Dead Or Alive - Still Spinnin' (The Singles Collection 1983 - 2021) (2024)
XLD Rip | FLAC (tracks, cue, log) - 6.5 GB | MP3 CBR 320 kbps - 2.1 GB
15:33:44 | Pop, Dance-Pop, Synth-pop | Label: Edsel Records

Dead Or Alive have sold more than 30 million albums and 25 million singles worldwide and gave Stock Aitken Waterman their first #1 single. Their first three albums, which the band wrote, all reached the UK Top 30, with ‘Youthquake’ reaching the Top 10. In the 1980s, they charted seven unique singles in the UK Top 40, with two further re-entries this century, with a remix and original version of ‘You Spin Me Round (Like A Record)’. Respected US magazine Billboard, ranked them in their all-time Top 100 most successful ‘dance artists’ chart. This limited edition 27 CD box set collates the Singles originally released on CBS Records (Sony Music) and subsequently by the Band itself, with selected licenses that Pete Burns and Steve Coy made with other companies.

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Chester Thompson - Wake Up Call (2024) Music

Posted by delpotro at April 1, 2024

Chester Thompson - Wake Up Call (2024)
WEB FLAC (tracks) - 274 Mb | MP3 CBR 320 kbps - 95 Mb | 00:41:08
Jazz-Funk, Fusion | Label: ProgRock.com's Essentials

Renowned drummer/percussionist Chester Thompson (Genesis / Weather Report etc) presents an album of sizzling Fusion and Jazz Funk highlighting his peerless ability and compositional ambition.

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Bruut! - V (2018) Music

Posted by Domestos at Dec. 7, 2018

Bruut! - V (2018)
WEB FLAC (tracks) ~ 275.27 Mb | 44:20 | Cover
Contemporary Jazz, Fusion | Country: Netherlands | Label: Dox Records - 692357

To the surrealism of Quentin Tarantino films, second-hand records and old Westerns… To the vibe of lava lamps and Photoshopped boogaloo… To a 1960s that is as unfocused as the 1960s you see on YouTube…Bruut! swings hard. Bruut! balances the colourful with the unpolished, and the danceable with the listenable. In short: Bruut! is all about super jazz.

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Pee Wee Ellis & Horace Parlan - Gentle Men Blue (1999) Music

Posted by Domestos at June 13, 2020

Pee Wee Ellis & Horace Parlan - Gentle Men Blue (1999)
EAC Rip | FLAC (tracks+.cue, log) ~ 275.36 Mb | 57:12 | Covers
Post-Bop | Label: Minor Music - 801073

Pee Wee Ellis Associated Acts: James Brown, Van Morrison Ginger Baker's Jazz Confusion. Legendary Blue Note pianist Horace Parlan teams up with Tenor Sax maestro Pee Wee Ellis on a wonderful, but difficult to get hold of, recording. At the North Sea Jazz Festival in 1999 Pee Wee and Horace showcased the albumn and, although judged a resounding success, since then distribution has been poor. The melodic piano of Horace is complimented by the deep toned, breathy sax of Pee Wee on standards such as "crazy" & "someone to watch over me" as well as a number of own compositions, topped and tailed by two wonderful versions, by Mr Ellis on his own, of Janis Joplin's "Mercedes Benz".

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VA - Good For Nothin' - The Vogue Records Story (2013) Music

Posted by Mocha at Sept. 18, 2024

VA - Good For Nothin' - The Vogue Records Story (2013)
Label: One Day Music | FLAC (tracks + .cue,log) | Time: 2:55:54 | 857,3 Mb
Genre: Doo Wop, Rock & Roll

"Good For Nothin' - The Vogue Records Story" is a compilation album released in 2013 that celebrates the legacy of Vogue Records, a notable label in the history of American music. Vogue Records was known for its contributions to various genres, including R&B, soul, and rock. The label played a significant role in promoting artists during the mid-20th century. The compilation features a mix of R&B, soul, and early rock and roll tracks, reflecting the diverse musical landscape of the time and showcasing the artists who recorded for Vogue.

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Willie Lomax Blues Revue - Give Me Back My Teeth (1996) Music

Posted by gribovar at July 18, 2022

Florida guitar player Willie Lomax has a reverent appreciation for the history of the blues, and it shows on his debut release from his own Big Boss Records. Featuring the Delta rhythms of the great Sam Carr on drums, and solid vocals from James Peterson, Give Me Back My Teeth has a lean, gritty sound that combines Southern juke joint rawness with uptown Chicago blues to produce an album that is solid as bedrock. Highlights include the opener, "Where I've Been," the wise and wistful "Way a Tree Falls," the gutbucket "Razorback," and the impressive 11-minute suite "Blues for Jackie Robinson," which manages to be experimental without being disruptive to the overall tone and feel of the album. Lomax would add Shawn Brown on vocals for his next two albums, and move on to more Memphis soul territory, but this debut shows an impressive writer and player with a clear vision for what contemporary blues can be.

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Shllaku Aldo - The Doorman (Original Motion Picture Soundtrack) (2020) Music

Posted by ciklon5 at Oct. 10, 2020

Shllaku Aldo - The Doorman (Original Motion Picture Soundtrack) (2020)
FLAC tracks | 1:20:07 | 356 Mb
Genre: Soundtrack / Label: Lakeshore Records

Aldo Shllaku is a classically-trained film and TV composer. Growing up in an artistic family, Aldo underwent a rigorous music education at a young age, both classical training as well as through an exposure to the rich sounds at the crossroads of Balkan culture. As one of the harshest communist regimes was on the brink of collapse, Aldo left Albania in pursuit of a better future: first to Greece and then Canada.

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Monty Alexander - D Day (2024) Music

Posted by Rtax at March 28, 2024

Monty Alexander - D Day (2024)
WEB FLAC (tracks) - 402 MB | MP3 CBR 320 kbps - 162 MB
1:09:46 | Jazz | Label: PEEWEE!

An Incredible Experience of Freedom June 6, 2024, will mark the 80th anniversary of the Normandy Landings. It's also the day the Grammy© nominated pianist Monty Alexander turns 80. A highly symbolic historical concordance which the great musician naturally embraces, since the name he was given pays homage to General Montgomery, the famous liberator. The album D-Day is the fruit of intertwining friendships and artistic collusion often observed between Monty Alexander, the French touring agency V.O Music, and the label PeeWee! It contains a number of iconic compositions written in wartime and original tracks: *I'll Never Smile Again, written in 1939, a Frank Sinatra hit throughout the Second World War. *Smile, written by Charlie Chaplin for his film Modern Times in 1936: Smile, though your heart is aching, Smile, even though it's breaking, When there are clouds in the sky, You'll get by. *D-Day (Just Wait), Why (that's why), River of Peace, Restoration… are Alexander's compositions inspired by the conflict and its extraordinary ending.

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VA - Big Apple Rappin' (The Early Days Of Hip-Hop Culture In New York City 1979-1982) (2006) Music

Posted by Mocha at Dec. 11, 2024

VA - Big Apple Rappin' (The Early Days Of Hip-Hop Culture In New York City 1979-1982) (2006)
Label: Soul Jazz Records | FLAC (tracks + .cue,log) | Time: 1:51:06 | 700,8 Mb
Genre: Old School Hip Hop, Funk, R&B

"Big Apple Rappin': The Early Days of Hip-Hop Culture in New York City 1979-1982" (2006) is a compilation album that offers a historical snapshot of the origins and development of hip-hop music in the late 1970s and early 1980s. The album focuses on the pioneering years of hip-hop in New York City, highlighting the early influence of the genre and the culture that helped shape modern rap and hip-hop music.

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Pee Wee Crayton - The Pee Wee Crayton Collection 1947-62 (2017) Music

Posted by Pisulik at May 15, 2017

Pee Wee Crayton - The Pee Wee Crayton Collection 1947-62 (2017)
West Coast Blues, Texas Blues | MP3 CBR 320 kbps | 02:20:20 | 334 MB
Label: Acrobat Records | Release Year: 2017

Pee Wee Crayton was a blues guitarist, singer and songwriter who was one of the leading figures of the West Coast blues school during the post-war decades. He was one of several blues artists who made the move from Texas to California in the Depression, and inevitably he became an associate of the pioneer of the West Coast style T-Bone Walker, but although Crayton was undoubtedly influenced by him, he developed a highly distinctive sound, playing in an aggressive style which encompassed some daring technical innovations, as well as having a somewhat contrasting smooth vocal style. Over the years, he recorded for a number of labels, scoring his biggest successes in his early years with the Modern label, as he reached the R&B Top 5 with Blues After Hours, Texas Hop and I Love You So.

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