Perianes

Javier Perianes, Josep Pons, Orchestre de Paris - Ravel: Jeux de Miroirs (2019)

Javier Perianes, Josep Pons, Orchestre de Paris - Maurice Ravel: Jeux de Miroirs (2019)
EAC | FLAC | Image (Cue & Log) ~ 278 Mb | Total time: 81:05 | Scans included
Classical | Label: Harmonia Mundi | # HMM902326 | Recorded: 2017

As if in a mirror, this recording juxtaposes the original piano versions of two of Ravel's masterpieces ('Le Tombeau de Couperin' and 'Alborada del gracioso') with their respective orchestrations. The 'Concerto in G Major' combines the two facets, both when the piano is integrated into the overall sound and when it plays its role as a soloist. The subtle playing of Javier Perianes and the refined sonorities of the Orchestre de Paris, conducted by Josep Pons, also remind us that Spain was the most significant source of inspiration in Ravel's output.
Estrella Morente, Javier Perianes - Manuel de Falla, Federico García Lorca: Encuentro (2016)

Estrella Morente, Javier Perianes - Manuel de Falla, Federico García Lorca: Encuentro (2016)
EAC | FLAC (image+.cue, log) | Covers Included | 69:25 | 306 MB
Genre: Classical, Vocal | Label: Harmonia Mundi | Catalog: HMC 902246

The desire to promote the heritage of Spanish traditional music lies at the heart of the compositions of Manuel de Falla and Federico García Lorca. To achieve their aims, both men relied heavily on the great flamenco artists of their day, imbuing their work with the authenticity of an age-old popular tradition. Flamenco singer Estrella Morente and pianist Javier Perianes recreate that thrilling combination of tradition and passion in these authentic performances of Spanish canciones.
Javier Perianes - Schubert: Piano Sonatas, D. 960 & D. 664 (2017) [Official Digital Download 24/96]

Javier Perianes - Schubert: Piano Sonatas, D. 960 & D. 664 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 62:45 minutes | 989 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Sonata D664: an example of Schubert's fine craftsmanship despite being in the shadow of the giant, Beethoven. Only nine years later, Schubert, just 31 years old, produced what was, already, his last sonata (D960), just a few weeks before his shockingly premature death. It would take many decades for these masterpieces to gain the same consideration as the late symphonies of Mozart or Beethoven’s Op.132 but this music is now cherished by today’s artists – among them Javier Perianes, who here returns to Schubert after a remarkable first volume that enjoyed great success with the public.
Javier Perianes, Münchner Philharmoniker - Bartók: Concerto for Orchestra & Piano Concerto No. 3 (2018)

Javier Perianes, Münchner Philharmoniker - Bartók: Concerto for Orchestra & Piano Concerto No. 3 (2018)
Classical | WEB FLAC (tracks) & d. booklet | 270 MB
Label: harmonia mundi | Tracks: 08 | Time: 62:05 min

The inexhaustible strength of a genius: Neither the disillusionment that set in after his exile to the United States nor his declining health stopped Bartók from fulfilling his commission for the Concerto for Orchestra nor from writing the Third Piano Concerto, his final work, intended to secure his wife’s future. Hence his gloomy circumstances led to two masterpieces (and gained him a long-awaited American reputation). They are magnificently served here by Javier Perianes and the musicians of the Münchner Philharmoniker under the direction of Pablo Heras-Casado.
Javier Perianes, Münchner Philharmoniker - Bartók: Concerto for Orchestra & Piano Concerto No. 3 (2018) [24/96]

Javier Perianes, Münchner Philharmoniker - Bartók: Concerto for Orchestra & Piano Concerto No. 3 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 72:05 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The inexhaustible strength of a genius: Neither the disillusionment that set in after his exile to the United States nor his declining health stopped Bartók from fulfilling his commission for the Concerto for Orchestra nor from writing the Third Piano Concerto, his final work, intended to secure his wife’s future. Hence his gloomy circumstances led to two masterpieces (and gained him a long-awaited American reputation). They are magnificently served here by Javier Perianes and the musicians of the Münchner Philharmoniker under the direction of Pablo Heras-Casado.

Javier Perianes - Scarlatti (2025)  Music

Posted by delpotro at Aug. 19, 2025
Javier Perianes - Scarlatti (2025)

Javier Perianes - Scarlatti (2025)
MP3 CBR 320 kbps | Digital booklet | 01:07:49 | 157 Mb
Classical | Label: harmonia mundi

A visionary composer, Domenico Scarlatti pushed back the frontiers of keyboard writing, fusing radiant melodies with spirited rhythms and daring technical feats. In this compendium of his most attractive sonatas, Javier Perianes employs his consummate virtuosity with audible enjoyment, revealing all the richness and inventiveness of his adoptive compatriot’s musical language.
Javier Perianes - Debussy: Préludes du 1er Livre (2018) [Official Digital Download 24/96]

Javier Perianes - Debussy: Préludes du 1er Livre (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 58:18 minutes | 917 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

A century after his death on 25 March 1918, many harmonia mundi artists are eager to pay tribute to Claude Debussy, the magician of melody and timbre, the great ‘colourist’ and father of modern music.

Javier Perianes - Frédéric Mompou: Música Callada (2007)  Music

Posted by pgf000 at Dec. 23, 2010
Javier Perianes  - Frédéric Mompou: Música Callada (2007)

Javier Perianes - Frédéric Mompou: Música Callada (2007)
EAC Rip | FLAC+CUE+LOG | 150 MB | no scans
MP3 CBR 320kbps | 169 MB
Classical/Chamber | Harmonia Mundi | 72:53

Catalan composer Federico Mompou wrote four volumes of brief, aphoristic piano pieces called Música callada, or Music of silence, between 1959 and 1967. He seemed to inhabit a musical world of his own, indifferent or hostile to many of the conventions of western music, particularly Germanic music, which he described as "phonorrhea," with an excess of padding, ponderous development, and numbing redundancies. His aesthetic is similar in some ways to Satie's, and their works have some similarities, particularly the use of a simple, but unconventional tonal language that is not shy of dissonance. Mompou's music is notable for the simplicity and clarity of its content and its expression – there are no wasted or unnecessary notes. Spanish pianist Javier Perianes plays with an unmannered delicacy and a self-effacing directness that honor the ephemeral character of these pieces and allows their poetry to blossom. The sound is absolutely clear and captures the intimacy of the music.

Javier Perianes - Mendelssohn: Lieder ohne Worte (2014) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 8, 2016
Javier Perianes - Mendelssohn: Lieder ohne Worte (2014) [TR24][OF]

Javier Perianes - Mendelssohn: Lieder ohne Worte
Classical | FLAC (tracks) 24-bit/96 kHz | 76:38 min | 1.44 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 20 | Rls.date: 2014

This program featuring the superb pianist Javier Perianes illustrates four essential qualities of the music of Felix Mendelssohn. Music stripped of all superfluity, including the literary aspect (Songs without Words); a gift for creating magical atmospheres (Rondo capriccioso); unconditional admiration for classical order; and a genuine veneration for Bach (Prelude and Fugue). The whole radiant universe of Mendelssohn is encapsulated here.
Javier Perianes - Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019) [24/48]

Javier Perianes, Orchestre de Paris & Josep Pons - Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso (2019)
FLAC (tracks) 24-bit/48 kHz | Time - 80:56 minutes | 689 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Josep Pons and Javier Perianes collaborate once again on a new album dedicated to Maurice Ravel entitled Jeux de Miroirs. The recording, released by harmonia mundi internationally on 29 November, features Ravel’s Le Tombeau de Couperin and Alborada del gracioso for solo piano, their respective orchestrations and Piano Concerto in G major with Orchestre de Paris. These musical ​‘mirror effects’ allow us to compare the original piano versions of two key works by Ravel with the orchestrations he made of them. Alongside these, the Concerto in G major offers an example of how the composer combines piano and orchestra, both when the piano is integrated into the overall sound and when it plays its traditional solo role.