Next to Ian Williams of Don Caballero (and now Battles), Victor Villareal is one of the most of the most inventive guitarists in indie rock. Villareal’s astonishing guitar work was first on display in the legendary emo outfit, Cap’n Jazz. He next appeared on the Owls’ full-length, which was essentially Cap’n Jazz minus Promise Ring member Davey von Bohlen. On the side, he played in Ghosts & Vodka, an instrumental rock band that also had a Cap’n Jazz/Owls connection, with Sam Zurick taking second guitar duties. It would turn out that Ghosts & Vodka would be more prolific than Owls, releasing a full length and seven-inch before disbanding. Drunks & Addicts is a discography of this overlooked band, collecting their entire recorded output, as well as a bonus unreleased track.
Yes indeed, the Divine Miss Em has still got it. It was the late 1970s when Emma Kirkby first became the leading diva of the early-music revival. More than 20 years on, as this disc of mostly lesser-known Handel treats demonstrates–a follow-up to volume I–Kirkby remains a spectacular Handel singer. The pure tone, control over vibrato, astonishing agility, and immaculate delivery that made her world famous are all still in place; if anything, two decades of experience have made her even more brave and imaginative in the way she embellishes a da capo aria. It must be said that Kirkby also retains a somewhat restricted palette of vocal color. As Ted Perry of Hyperion Records has put it, "She sounds like a nice person, and she is."